Saturday, January 9, 2010

Leap Year


I went to see Leap Year with my friend Leah this afternoon, and I absolutely loved it. It doesn't break any new ground as far as romantic comedies go, but sometimes you need a touch of the familiar, right? :)

I knew I had to see this movie when I saw the trailer and recognized Matthew Goode (isn't he ADORABLE?!). Goode doesn't have an incredibly long filmography (yet), but he's appeared in several noticable roles, including Chasing Liberty, Match Point, and Watchmen. However, since so much of my blogging focuses on British film, I've got to point out the more interesting credits (to me, anyway) - Marple: A Murder is Announced, My Family and Other Animals, and Brideshead Revisited, the latter of which is a pretty abysmal film, can't even recommend it unless you just want to listen to Matthew talk. :) Goode's portrayal of Declan in this movie leaves me determined to seek out my own handsome, surly, angst-ridden Irish pub owner. Seriously, how hard can that be? ;-)

As far as Amy Adams goes, this kind of role is tailor-made for her - a bit moreso than her turn in Julie & Julia IMO. She ended up getting on my ever-loving last nerve by the end of J&J, but here she's straight up completely believable and likable as Anna, the frazzled, desperate to be engaged apartment "stager." She's got the perfect life, the perfect boyfriend (Jeremy, played by Adam Scott), and you just know it's all going to fall apart because Jeremy has this freakishly perfect, Kennedy-esque hair, and mad dedication to his work that spells disaster in rom-com relationships. Since the next step in making the perfect life involves marriage, Anna decides to follow Jeremy to his cardiology convention in Dublin (how convenient & random) and propose on February 29th, since that's some sort of Irish leap year tradition. Of course her plane is diverted, and she happens to show up in Declan's pub, and since he has money trouble of course he's going to take the job of seeing Anna to Dublin.

Adams and Goode are so stinking cute together, and the scenery is gorgeous. I wanted to be in this movie in the worst way. The little road trip they take, complete with disaster after disaster, reminded me just a bit of the Clark Gable/Claudette Colbert classic, It Happened One Night. The whole pacing and tone of the movie does have a rather old-fashioned, throwback feel to it. It keeps a snappy pace, and does an excellent job showcasing the Irish scenery. Everything is so wonderfully green, and has such a fantastic, fairy-tale feel to it, I loved every second. Randy Edelman also did a nice job with the score by incorporating some great little Irish-flavored flourishes into the instrumental cues. All of the songs used in the movie are great as well - you can read the list here.

Leap Year is a really, really cute film. Loved Adams and Goode's on-screen chemistry, loved every second Goode was on-screen, loved the scenery and music, and LOVED the end of the movie. Such a great payoff!! :) It's a fun little movie, definitely worth checking out if your in the mood for some Irish-themed escapism.

Friday, January 8, 2010

Masterpiece Classic returns!

After what seems like an interminable wait, the new season of Masterpiece Classic begins this Sunday with part one of Return to Cranford, the sequel series to the fabulous Cranford miniseries, based on the works of Elizabeth Gaskell. Here's just a bit about what's in store:

This Sunday, January 10, revisit Cranford — the sleepy English village that captured the hearts of MASTERPIECE viewers in 2008. In Return to Cranford, the distinguished cast is back, including Judi Dench, Imelda Staunton, Julia McKenzie and Francesca Annis, as Cranford continues to come to terms with wrenching social change against the backdrop of a close-knit community. Return to Cranford is based on the works of Victorian-era writer Elizabeth Gaskell.

Isn't this cast fantastic? Judi Dench, Imelda Staunton, Julia McKenzie, and Francesca Annis are just a few of the familiar faces due to appear in this production. I don't know about you all, but I for one am very excited about Masterpiece Classics posts returning to the blog. :)

Thursday, January 7, 2010

Review: Silent on the Moor by Deanna Raybourn


Silent on the Moor (A Lady Julia Grey Novel #3)
By: Deanna Raybourn
Publisher: MIRA
ISBN: 978-0-7783-2614-4

About the book:

Despite his admonitions to stay away, Lady Julia arrives in Yorkshire to find Brisbane as remote and maddeningly attractive as ever. Cloistered together, they share the moldering house with the proud but impoverished remnants of an ancient family: the sort that keeps their bloodline pure and their secrets close. Lady Allenby and her daughters, dependent upon Brisbane and devastated by their fall in society, seem adrift on the moor winds, powerless to change their fortunes. But poison does not discriminate between the classes…

A mystery unfolds from the rotten heart of Grimsgrave, one Lady Julia may have to solve alone, as Brisbane appears inextricably tangled in its heinous twists and turns. But blood will out, and before spring touches the craggy northern landscape, Lady Julia will have uncovered a long-buried legacy of malevolence and evil.

Review:

How is it possible that Deanna Raybourn’s third Julia Grey novel is even better and more thoroughly enjoyable than the first two in the series? The mind boggles at the possibility, but it’s true – in my book Raybourn has achieved the rare feat of crafting characters and stories so engaging that each installment is more enthralling and satisfying than the last. Where the second book in the series, Silent in the Sanctuary, gave readers a more self-assured Lady Julia, now more than ever she wants and isn’t afraid to flout every convention society holds dear in order to live life on her own terms. Having reached the tipping point in her maddening on again, off again romance with Nicholas Brisbane, Julia decides to take matters into her own hands and force a resolution or walk away from him forever. Accompanied by siblings Portia and Valerius, she descends on Brisbane’s newly-acquired estate, appalled to find Grimsgrave in disrepair, the house occupied by the mysterious Allenby ladies with ties to Brisbane’s past, and Brisbane himself shockingly cold towards her. Never one to take no for an answer, Julia settles in for the duration, determined to break through the barriers Brisbane’s installed around his heart. What she doesn’t bargain on is the revelation of Nicholas's painful past, coupled with the discovery of horrifying secrets Grimsgrave manor has sheltered for years.

The biggest draw of this series isn’t the mysteries themselves (though I do think those have improved with each successive book), but Raybourn’s unique and engaging characters. It’s been so much fun to watch Julia embrace her unorthodox March family heritage, and grow into an independent, unconventional, wickedly funny and sarcastic heroine. That would perhaps be enough, but Julia’s wonderfully realized family of eccentrics and rebels tips the scales in the character development department from excellent to brilliant. Julia’s relationships with the various members of the March clan play a big role in what makes visiting her world so much fun, and such a sheer joy to read about. Perhaps the most exciting aspect of this third Julia Grey novel is that finally, at long last, Raybourn gives us some answers regarding the frustrating yet ever-appealing Nicholas Brisbane’s past. Brisbane's past has always been closely guarded, shrouded in secrecy, but with Julia more determined than ever to break down his defenses we finally get to learn the man's secrets. It's a mark of just how much I love these characters that learning their secrets doesn't make them any less interesting - rather, all the revelations about Nicholas's character make me love him and his relationship with Julia all the more.

The atmosphere of the moor is the perfect setting for a story where long buried family secrets come to light and isolation fosters insane schemes for revenge. The setting seems to owe much inspiration to stories like The Hound of the Baskervilles and most especially, Wuthering Heights (some villagers are even named Earnshaw – loved that!). The mood and the long-festering revenge schemes all put one in mind of Ms. Bronte, only with Raybourn’s own unique and colorful spin. Her books have proven to be highly addictive; the only downside to this is that one tends to read them far too quickly. I find myself wanting to savor my time with Julia and Nicholas and the friends that people their world – but I fly through the pages of Raybourn’s novels at lightspeed (there’s worse problems, right? *wink*). Nicholas and Julia's story has been one of the best romances I've read in recent memory, each scene positively crackling with romantic tension. I only hope this isn't the end of Nicholas and Julia's adventures, as they're one of the most fascinating - and fun - pair of detectives you'd ever hope to come across. Ms. Raybourn's next book release can't come soon enough to suit me!

Click to read my reviews of the first two Julia Grey novels: Silent in the Grave and Silent in the Sanctuary. Oh, and in case you were wondering – after reading this installment of Nicholas and Julia’s romance, the verdict is in – Toby Stephens IS Brisbane in my book, hands down. Now we just need to get the BBC behind the idea of adapting these wonderfully entertaining books... :)

Tuesday, January 5, 2010

The Silent Governess by Julie Klassen


This week, the

Christian Fiction Blog Alliance

is introducing

The Silent Governess

Bethany House; Original edition (January 1, 2010)

by

Julie Klassen



ABOUT THE AUTHOR:

Julie says: My background is in advertising and marketing, but I am blessed with a dream job—working as an editor of Christian fiction. I have been writing since childhood, but Lady of Milkweed Manor was my first novel. It was a finalist for a Christy Award and won second place in the Inspirational Reader's Choice Awards. My second novel, The Apothecary's Daughter, was a finalist in the ACFW Book of the Year awards. I am currently writing one novel a year.

I graduated from the University of Illinois and enjoy travel, research, BBC period dramas, long hikes, short naps, and coffee with friends.

My husband and I have two sons and live near St. Paul, Minnesota.


ABOUT THE BOOK


Olivia Keene is fleeing her own secret. She never intended to overhear his.

But now that she has, what is Lord Bradley to do with her? He cannot let her go, for were the truth to get out, he would lose everything--his reputation, his inheritance, his very home.

He gives Miss Keene little choice but to accept a post at Brightwell Court, where he can make certain she does not spread what she heard. Keeping an eye on the young woman as she cares for the children, he finds himself drawn to her, even as he struggles against the growing attraction. The clever Miss Keene is definitely hiding something.

Moving, mysterious, and romantic, The Silent Governess takes readers inside the intriguing life of a nineteenth-century governess in an English manor house where all is not as it appears.

If you would like to read the prologue and first chapter of The Silent Governess, go HERE. You can also sign up as a Follower when you get to that page, and get announcements of the first chapters for all the great books we tour!

Saturday, January 2, 2010

Doctor Who series 5 trailer

I really do intend to blog about the past year's Doctor Who specials at some point. Maybe once I quit crying over David Tennant's spectacular farewell in The End of Time (just finished watching part two) and have time to process it all those posts will happen. Till then, I leave you with the trailer for series 5, which sees the debut of Matt Smith as the eleventh Doctor.



As much as I love and adore David Tennant as the Doctor - and really, one can't deny that he took the role to new heights, the man is a genius - this trailer leaves me very excited to see series 5. I think - and I hope this plays out - there's a reason I was so impressed with Smith in The Ruby in the Smoke and The Shadow in the North. He may just be able to pull this whole Doctor Who thing off. Keeping my fingers crossed... :)

Friday, January 1, 2010

The Young Victoria


I have been waiting probably about a year to see The Young Victoria. It finally opened around here on Christmas Day, and I went to see it with two friends on New Year's Eve. It was well worth the wait. It's costume drama and spectacle at its finest. :) When I was in college I went through this phase where I was really interested in Victoria and Albert. This was most likely spurred by the broadcast of the Victoria & Albert miniseries in 2001. That miniseries is a much more comprehensive look at Victoria's reign, and stars the aptly named Victoria Hamilton as the Queen (she's appeared in everything from Pride and Prejudice as Mrs. Forster to Lark Rise to Candleford) and Jonathan Firth (brother of Colin Firth!) as Prince Albert. However, for a shorter but equally enthralling glimpse at the early years of Victoria's reign, The Young Victoria can't be beat. :)

Emily Blunt gives, I think, one of the best performances of her relatively short career, transitioning easily from the teenage princess to young monarch and bride. Not being too far removed from the actual age Victoria was at the various points depicted in the film probably helped, too. Blunt is by turns spunky, vulnerable, and perfectly regal. Victoria's childhood is really incomprehensible to view, by today's standards or any other, really. Coddled in the extreme and sheltered from all outside influences by her mother the Duchess of Kent (played here by Miranda Richardson) and her mother's confident/probable lover Sir John Conroy (played by the delish Mark Strong *wink*), Victoria was raised in a bubble and it's really quite a testament to her character that she turned out as well as she did IMO. As the only heir of her uncle, William (wonderfully played here by the talented Jim Broadbent), Conroy and her mother made numerous futile attempts to get Victoria to sign papers authorizing a regency should the king die before she comes of age. Thankfully, the young princess withstood the tremendous pressure being brought to bear against her. I've got to say, the role of Conroy is probably the most distasteful bad guys I've seen my beloved Mark Strong play. The man is presented as so utterly amoral, so politically calculating and cold-hearted, the scenes showing his attempts to manipulate Victoria are rather chilling.

Rupert Friend's performance as Prince Albert was probably the surprise of the movie for me. I didn't know the guy had it in him, acting-wise. (Anyone think he's a dead ringer for Orlando Bloom?) He first gained notice in the 2005 version of Pride and Prejudice where he played Wickham. I have to confess, I placed him in a pretty-face-but-no-substance acting "box," and goodness I was wrong. The man has some serious potential. He and Blunt have terrific on-screen chemistry, which certainly helps and is needed when portraying a classic love story like Victoria & Albert's. This film drove home the point once again what a miracle, really, their love story was considering the restrictions and manuevering that their lives endured. The were pawns in the chess game of European politics, and there's a great little scene in this film that takes place shortly after Victoria and Albert first meet, where he urges her to find a husband who will play the politics game with her. And indeed that's what the pair of them did eventually - joined forces, mastered the rules of the game, and became formidable players in English and European politics.

Besides Mark Strong, another old favorite of mine makes a fantastic appearance in this movie - Paul Bettany does a fantastic job playing Lord Melbourne, Victoria's first prime minister. Melbourne was apparently quite a character, obviously adept at manipulating people in order to see his ends met. It's interesting to see how this works negatively when a young and very loyal Queen Victoria refuses to accept new election results that see Melbourne thrown from power. This leads to the first really tumultuous period of her reign when she falls drastically out of favor with the British people. It's a harsh lesson, and her subsequent marriage to Albert sees his influence helping her learn to better walk a political tightrope. One of my favorite scenes in the movie is when Albert confronts Melbourne about his rather condescending attitude towards him - not only is it historically interesting, but it's a very well-played moment between Friend and Bettany (the former really holding his own against the latter). This is followed by one of Bettany's strongest scenes in the film, when he admits that Albert could prove to be a valuable ally and partner in Victoria's reign. For a character like Melbourne, such a moment was humbling I'm sure, and Bettany played the scene really, really well.

The Young Victoria is sure to be a lock come Oscar nomination time for costumes and set design. Every little thing about the movie just looks spectacular, it's a positive visual feast for the eyes. Speaking of feasts, the banquet scene early in the film celebrating King William's birthday is an amazing spectacle. The richness and opulence in that scene alone is mind-blowing, even more so when you think of the traditions and discipline and planning that would have gone into such an event. I've also got to give a nod to the gorgeous score by composer Ilan Eshkeri. He's responsible for Stardust, one of my favorite film scores. And while TYV doesn't have quite the unique themes and flourishes appropriate to a fantasy film, it's a beautiful work nonetheless.

This is a movie that definitely leaves you wanting more - more story, more of Victoria and Albert's lives. I love their love story, and this movie more than delivers beautiful, heart-stopping look at the beginning of their legendary love affair. Emily Blunt and Rupert Friend both come out of this movie winners, delivering strong, memorable performances. This is particularly the case for Friend - Albert was, I think, really a Renaissance man, and a man of character and deeply held moral convictions. In many ways he is responsible for the advancements for which the Victorian Age is known. For Friend to be able to portray that in such a compelling way speaks well of his talent and acting future. Oh, this reminds me - another of my favorite moments in the movie is when we get to see Albert ever-so-gently engineering a tentative reconciliation between Victoria and her mother. Really, after the way she's treated by her mother it would be easy to understand if Victoria never wanted to see her again. But this effort on Albert's part, and seeing Victoria and her mother come to terms with each other is quite well done and moving. It was a powerful reminder to me of how much easier it is to hold on to grudges and wrongs, but the strength it can take to just come to terms with the past is another thing entirely.

Two books I highly recommend if you're interested in learning more about Victoria and her family are Victoria's Daughters by Jerrold M. Packard and Queen Victoria by Lytton Strachey. Packard's book is especially interesting because you get a look at how Victoria engineered her children's marriages and gained the moniker "Grandmother of Europe." For someone who so resented being a manipulated "chess piece" in political dealings, she and Albert apparently had no qualms about doing the same thing to their children, sometimes with quite tragic results. It's a fascinating book.

The Young Victoria is a wonderful film, beautifully executed on all levels, and well worth seeing whether you're interested in the history or just in the mood for a great love story. :)

Upcoming Movies...

(The sappy romantic edition.)

Don't know how many of these I'll get to see in theaters, but I'll definitely be viewing them at some point. First up is Leap Year, starring Amy Adams and Matthew Goode. I heart Matthew...and this may be his ticket to bigger & better roles. He's appeared in Marple, My Family and Other Animals, and was the only interesting thing in the abysmal Brideshead Revisited.



Coming later this month is When In Rome, which really reminds me just a bit of Three Coins In the Fountain (only with a magical twist).



Next up is Letters to Juliet. I have to admit this trailer...was it the trailer or Vanessa Redgrave's fabulousness?...actually made me tear up. This movie also has the added draw of starring Christopher Egan, who played David in the all too short-lived TV show Kings (moment of silence for a truly great show...okay, thanks).



And lastly, Dear John, based on the Nicholas Sparks novel, comes out in April or May. I'm not a huge Sparks fan, but every once in a while he comes out with something that really gets me, like the whole soldier angle here. Doesn't hurt that in the movie Channing Tatum plays the soldier. :) It's not like he's a great actor or anything, but oh. my. WORD!! Have you seen Step Up?! ;-)

Happy New Year!

I shared this video on Facebook a few weeks ago, but I love it so much it deserves to be shared on the blog too, IMO. :) David Tennant and Doctor Who fans, enjoy!