Sunday, March 20, 2011

Review: Bathsheba by Jill Eileen Smith


Bathsheba (The Wives of King David #3)
By: Jill Eileen Smith
Publisher: Revell
ISBN: 978-0-8007-3322-3

About the book:

Can love triumph over treachery?

Bathsheba is a woman who longs for love. With her husband away fighting the king's wars, she battles encroaching loneliness - which makes it all too easy to succumb to the advances of King David. Will one night of unbridled passion destroy everything she holds dear? Can she find forgiveness at the feet of the Almighty? Or has her sin separated her from God forever?

With a historian's sharp eye for detail and a novelist's creative spirit, Jill Eileen Smith brings to life the passionate and emotional story of David's most famous - and infamous - wife. You will never read the story of David and Bathsheba the same way again.

Review:

For the concluding volume in The Wives of King David trilogy, author Jill Eileen Smith breathes life into the story of David’s most infamous wife, Bathsheba – a woman who came into his life through adultery, who in spite of her scandal-ridden past would come to have the honor of being named in the genealogy of Jesus Christ. Like the previous two wives Smith brought to life (Michal and Abigail), Bathsheba’s past is again strikingly different from theirs, and her life intersects with a David who is the established, beloved – and prideful? – King of Israel. The Bible gives perhaps even less insight into Bathsheba’s character and personality than it does Michal and Abigail, leaving Smith a veritable blank canvas with which to recreate the events leading up to, and the consequences of, one of history’s most famous affairs. Using the Biblical text as her framework, Smith weaves an engrossing tale of the events and struggles that would lead David, a man after God’s own heart, mighty and favored beyond imagination, to claim another man’s wife as his own. And she brings to colorful life Bathsheba, the woman whose beauty would threaten the security of a kingdom, and who’s one night of forbidden passion with a king would bring about devastating repercussions, redeemable only by the grace of a merciful God.

For the first third of this novel, Smith introduces readers to Bathsheba’s life prior to her fateful night with David. A daughter of privilege, born into a family with close ties to David’s royal house, she was given in marriage to Uriah, a Hittite who adopted the faith of Israel and gained honor and position as one of the Thirty, David’s select group of warriors. At times I really struggled to connect with Bathsheba and Uriah – she never seemed satisfied, always questioning and doubting her husband’s love since wars kept him away from her months at a time, while he was so pragmatic and dedicated to the letter of the law that he had no sympathy for or inkling of how to handle Bathsheba’s emotional volatility. However Uriah, perhaps one of the most tragically wronged individuals in the Bible, is fully realized as an honorable, loyal innocent caught up in events not of his own making or desire. Though it is never specified in the Bible that Bathsheba and David met prior to the night he sent for her in 2 Samuel 11, Smith conjectures – reasonably, I think – that due to Bathsheba’s family heritage and her husband’s position in David’s royal guard, that it’s possible they met earlier. Such a meeting plants the seeds of curiosity and desire in each of them, sparks that flame into a full-blown obsession when David witnesses Bathsheba’s ritual purification bath from the palace rooftop. Smith does a superb job of creating emotional tension between David and Bathsheba, and the fallout from their passion and attempts to hide their sin is positively wrenching to witness.

One of the aspects I’ve really appreciated about this trilogy is Smith’s ability to bring to life David’s most famous wives, and make them living and breathing, relatable, fallible humans. The scripture seems to imply that Bathsheba was a willing partner in adultery by the omission of any words to the contrary – and while Smith’s retelling doesn’t shy away from Bathsheba’s possible complicity, she also explores her fall with a perspective I’d not imagined before. The social and cultural structure that Bathsheba operated within – that made her wholly subject to the dictates of the men in her life – make it easier to understand how her society would have conditioned her to obey men, whether father, husband, or king, without question. The consequences of David’s callous selfishness in claiming Bathsheba when he had no right is heartbreaking to watch unfold. David and Bathsheba’s shared guilt provides Smith with the springboard for crafting a powerful illustration of God’s redemptive grace in the face of unfathomable sorrow. Bathsheba is a story of second chances, and God’s ability to bring beauty from the ashes of seemingly irredeemable mistakes, when a broken soul seeks and accepts forgiveness. 

Saturday, March 19, 2011

Doctor Who Comic Relief 2011


And here are the Doctor Who Comic Relief specials. Oh, I can't wait for Series 6 to begin! :)

Part One:



Part Two:

Uptown Downstairs Abbey

I've always enjoyed many of the BBC's Comic Relief sketches, and this year was no exception. With the wild success of Downton Abbey and the relaunch of Upstairs Downstairs, this Uptown Downstairs Abbey spoof is priceless.


Part One:



Part Two:

Wednesday, March 16, 2011

Doctor Who - "When You're Alone"

I've been listening to the soundtrack to Doctor Who: A Christmas Carol (LOVE the Who soundtracks!) this evening, which I purchased from Who NA since it isn't even available in the UK until 3/21/11, and US release dates are usually a couple of months after that.

Anyways, I was struck once again by the gorgeous song composer Murray Gold wrote for guest star Katherine Jenkins, and I had to share it here:



Absolutely gorgeous, no?

Review: Austenland by Shannon Hale


Austenland
By: Shannon Hale
Publisher: Bloomsbury
ISBN: 9781596912854

About the book:

For the woman with everything except a Mr. Darcy of her own,
An invitation to
AUSTENLAND

Pembrook Park, Kent, England. Enter our doors as a house guest come to stay three weeks, enjoying the country manners and hospitality – a tea visit, a dance or two, a turn in the park, an unexpected meeting with a certain gentleman, all culminating with a ball and perhaps something more…

Here, the Prince Regent still rules a carefree England. No scripts. No written endings. A holiday no one else can offer you.

Review:

Jane Hayes is just your average, thirty-something, single New Yorker except for one little thing...her obsession with Pride and Prejudice, particularly with Mr. Darcy (as portrayed by Colin Firth, of course!), is ruining her life. No living, breathing, real man can compare to Darcy, the epitome of Regency-era male perfection. And so a succession of relationships crashes and burns, and Jane secretly watches her P&P DVDs, and then hides them like contraband from others when they visit her apartment, just in case they should see them and guess at her grand obsession (and correspondingly pathetic lack of a love life).

Then Jane's Aunt Carolyn dies and leaves her an unexpected and intriguing bequest in her will -- a three week stay at a role-playing resort in England called Austenland, a complete immersion into Austen's world for obsessed fanatics such as Jane. Seizing the opportunity to lay her Darcy fantasies to rest forever so she can live for something real, Jane accepts the trip and and heads to Austenland to live as Miss Jane Erstwhile, circa 1816, for three weeks. Jane's resolve to put her Darcy-esque fantasies behind her forever is sorely tested when confronted with the reality of the handsome, cravat-wearing gentlemen who populate Austenland and pay court to female guests. In the ultimate Austen-lover's fantasy world, can Jane find something real?

I so enjoyed this book. Hale's novel is a witty, clever send-up of the rabid Austen / Darcy-mania that just about every woman I know can relate to in some degree. I would have liked to have seen the novel written in first-person from Jane's point-of-view -- the concept just screams "chick lit" and a change from third- to first-person would have enabled Hale to give greater insight and depth to Jane's character and smoothed out the narrative a bit. The supporting cast of characters that people Austenland is fabulous, though slightly underdeveloped. At a mere 194 pages, Austenland is an extremely short, fast read that begs to be about 100 pages longer (at least). I loved the world Hale created, and I loved Jane (I can SO relate to her Darcy-mania!) and a certain someone that she meets at Austenland -- I won't spoil the surprise for those of you reading the review by naming names, even though when you read the novel Jane's real-life "Darcy" is telegraphed VERY early on. However, this lack of suspense doesn't detract from the sheer enjoyability of the read. I just wish there was more of it. Primarily known as a young adult fantasy author (The Goose Girl, Enna Burning) Hale is a promising voice in funny, clever, chick-lit style novels and I look forward to reading more from her. Austenland is a perfect summer read -- what it may lack in substance it more than compensates for in wit and invention.

***

Another review from the archives, this time from 2007. I really ought to re-read this book - it's the perfect escapist read - fun, frothy, and can we say wish-fulfillment?! :) If you haven't read this, now's the perfect time to check it out, since Shannon Hale's next book is a sequel of sorts - Midnight in Austenland is due to release most likely in 2012.

Tuesday, March 15, 2011

Review: Gods & Kings by Lynn Austin


Gods & Kings (Chronicles of the Kings #1)
By: Lynn Austin
Publisher: Bethany House
ISBN: 0764229893

About the book:

He was born to rule the people of God…but Yahweh is only a vague, powerless memory in the minds of His people.

Though born the second son of King Ahaz, Hezekiah is not protected from his father’s perverted attempts to gain the favor of the idol Molech. Terrified and powerless at the foot of Molech’s altar, Hezekiah encounters for the first time the one true God of his royal ancestry, Yahweh.

But his journey to the Holy One is riddled by influence from an assortment of men: Zechariah, a grandfather of noble standing who has fallen into drunkenness; Uriah, the High Priest whose lust for power forces him to gamble the faith he proclaims; and Shebna, the Egyptian intellectual who guides Hezekiah’s instruction.

For the two women who love Hezekiah, the meaning of love – and it’s sacrificial essence – will direct the course of their lives and help shape the young prince’s future.

Review:

Hezekiah, prince of Judah, lives in a kingdom under siege from hostile forces within and without. His father, King Ahaz, has abandoned the worship of Yahweh and led his nation into idolatry. Gods & Kings chronicles Hezekiah's coming of age, detailing his turbulent childhood when he saw his father sacrifice his older brother Eliab to the pagan god Molech. Overwhelmed by fear, Hezekiah first encounters the life-changing touch of God through the love and teaching of his grandfather, Zechariah, a Levitical priest. These seeds of faith are all that Hezekiah has to guide him in a kingdom threatened by invasion and corrupted by idolatry. But surrounded by threats to his very existance, can he hope to survive and be given the chance to change the future of his country?

This is one of the best biblical fiction series out there, easily on par with Angela Hunt's Legacies of the Ancient River series. I don't feel that Austin's writing is as strong or her characters quite as well-developed as is evident in her later books (such as the Christy award-winning novels Candle in the Darkness and Fire By Night), but that's a very minor issue. Austin does an excellent job bringing the world of ancient Judah to life in all of its color, pageantry, danger, and intrigue. She breathes fresh life into the character of Hezekiah, creating a flesh-and-blood man whose struggles and weaknesses make his triumphs as one of Judah's greatest kings all the more inspiring. And the book lives up to perhaps the best measure of whether or not biblical fiction succeeds or fails - it inspires study of the actual biblical text.

When reading this book (incidentally this was my second time), I was struck by how timely the story felt. Hezekiah was one small drop in an overwhelming sea of danger and false gods, but God used his life to literally change the course of an entire nation and people. So read, study, and be inspired as Austin helps to bring to life the truth of 2 Chronicles 7:14 -- "if my people, who are called by my name, will humble themselves and pray and seek my face and turn from their wicked ways, then will I hear from heaven and will forgive their sin and will heal their land."

Scripture references: 2 Kings 16; 2 Kings 18:1-3; 2 Chronicles 28: 1-8, 16-27; 2 Chronicles 29: 1-14; also 2 Chronicles 26: 3-5, 16-23; Jeremiah 26: 18-19; and the prophecies of Isaiah and Micah

***

I am doing a ton of reading this week, which is taking temporary precendence over blogging...so that means it's time to pull another review from the ol' archives! :) I wrote this review of Gods & Kings back in 2006, and since then it's proven to be one of my most "helpful" reviews on Amazon, interestingly enough.

In re-reading this review, I'm struck by the fact that I've gotten a heck of a lot wordier in the last six years. So tell me, people, is that necessarily a bad thing? LOL...maybe I don't want to know! *wink*

Saturday, March 12, 2011

Shakespeare Retold: The Taming of the Shrew


Last week in a discussion on Facebook I was trying to convince Liz to watch the Shakespeare Retold version of The Taming of the Shrew, since Rufus Sewell is TO DIE FOR in it. And I realized, to my everlasting horror, that I hadn't watched this movie in years (an absolute TRAVESTY!). Since then, I'm on my second viewing in a week, and all is once more right in the Rufus Sewell-loving portion of my world.


Shakespeare Retold was a series of four made-for-television films that the BBC aired in 2005 (I can't BELIEVE it's been that long!). The series was made up of brilliantly realized modern takes on Shakespeare's plays (Shrew, Macbeth, A Midsummer Night's Dream, and Much Ado About Nothing). Shrew and Much Ado are my favorites, in most part thanks to the aforementioned Sewell in the former and Damian Lewis in the latter (but that, my friends, is another blog post).

Shirley Henderson plays Kate Minola, a hilariously psychotic MP who's the bane of her harrassed secretary's existence and an exasperating curiosity to her fashion-obsessed mother and sister. Her career is her life, and she's trying to organize a leadership campagin in her party with an eye to eventually becoming Prime Minister. She's advised that she has a better chance of winning her leadership campaign if she gets married - the question is, who'd possibly marry her? 


Henderson, perhaps best known as Moaning Myrtle in the Harry Potter films, is pitch perfect as a modern incarnation of Shakespeare's shrew of a heroine. She may only be a tick over 5'0", but she is an absolute terror and I LOVE it. NO ONE does wonderfully pyschotic and intense like Henderson. She's first introduced while some Jaws-like theme music plays as she stomps through the halls of Parliament...and everyone she passes positively cowers in the face of her fury. In contrast, her sister Bianca (Jaime Murray, recently seen as H.G. Wells in the latest season of Warehouse 13), a model, is universally liked and receives multiple proposals a week. I've just got to say, I think Kate handles the having a stuck-on-herself model for a sister and Twiggy for a mother much better than I ever could. *wink*

Bianca's manager - instead of a tutor - Harry (Stephen Tompkinson), is in love with Bianca and toys with the idea of fixing up Kate with someone, anyone, so Bianca will be more marraige-minded. He introduces Kate to Petruchio (Rufus Sewell), an eccentric aristocrat looking for a rich wife to bail him out of his financial woes. They meet in an elevator -and, well...I can't really say anything to do justice to the brilliance of the moment except that the elevator scenes are hysterically funny. And freaking hot. I am convinced that Rufus Sewell has never been more swoon-worthy than as the appealing bad boy in the elevator. It's an absolutely classic moment as Kate and Petruchio exchange lightening fast zingers. The entire script, in fact, is full of fabulous, quotable moments (the insults are particularly noteworthy, LOL).


Everything comes together brilliantly in this adaptation, which remains remarkably - and surprisingly, perhaps - true to the source material, right down to Petruchio showing up to his wedding dressed in women's clothes (instead of an outlandish clown costume), and the ways in which he subsequently seeks to "tame" his furious bride, to the sun-is-the-moon discussion. It's interesting to compare this incarnation of the story to the other famous film version of the play - the 1967 Franco Zeffirelli film starring Elizabeth Taylor and Richard Burton in the title roles. In particular, I think Sewell's Petruchio owes a great deal to Burton's gregarious, over-the top turn in the role. It's brilliant, Rufus is brilliant, and I just love, love, LOVE seeing him play a "good guy" like this.

Henderson and Sewell have unbelievably amazing on-screen chemistry. Whether they're fighting or making nice the sparks positively explode off the screen. The barbs and zingers fly fast and furious and non-stop in all of their scenes, but underneath the sparring they both manage to convey their respective character's insecurities and fears, really humanizing Kate and Petruchio, letting you see the motivations, pain, and fear behind their gloriously, wonderful, hilariously over-the-top personalities. I think Henderson does a fantastic job transforming Kate and making her emotionally vulnerable. She's a woman who has spent so long presenting a tough shell to the world, constructing impenetrable walls around her heart that have made her a raging and feared political success, that opening her heart to another requires more bravery than she's ever had to muster before.

Sewell's Petruchio is wonderful. WONDERFUL. I love how when we're introduced to him he's at such loose ends, not sure what to do with his life, only that he really needs to come into some money to get the tax man off his back. When he first meets Kate, you can see this instant transformation on his countenance - rather than being put off by her abominable rudeness, he's intrigued. This woman's something different, a glorious challenge, someone who isn't afraid to give as good or better than she takes. As Harry describes him to Kate during the critical, do-or-die moment, Petruchio is really just an "unstable, unbalanced exhibitionist who needs someone to think the world of him." Say it with me: awwww. :) I just adore Kate and Petruchio in this film, and the "wives obey your husbands" scene at the end is SO well played. I think the scriptwriter did a really great job translating Shakespeare's play to the present day.

Ratings-wise, this is probably a PG-13. There's some language and innuendo, bawdier than most regular Masterpiece fare, but so was Shakespeare when it comes down to it. :) Bawdy and hilarious in the best Shakespearean tradition, and  pro-marriage? Love it.


Rufus, m'dear, I promise I won't ever again let us spend so much time apart.

Thursday, March 10, 2011

Doctor Who Series 6 Premiere Date!

Out of this world exciting news broke for fans of Doctor Who yesterday when it was announced that Series 6 will premiere on BBC America April 23rd, the same day the series starts in the UK! Here's some additional info about this two-part season opener:
Doctor Who is coming to America in a spectacular two-part season premiere on BBC AMERICA. Part One premieres Saturday, April 23 at 9/8c. The mysterious time traveler, the Doctor (Matt Smith), and his companions Amy (Karen Gillan) and Rory (Arthur Darvill), find themselves on a secret summons that takes them on an adventure from the desert in Utah - right to the Oval Office in1969. More details will be revealed in the coming weeks about this two-parter penned by ‘Who supremo’ Steven Moffat (Sherlock) and featuring guest star Mark Sheppard (Supernatural, Battlestar Galactica). Also set to return this season, Alex Kingston (ER, Flash Forward), as the irrepressible River Song.
Since the season opens in the US (squee!), I'm even more excited about the same-day premiere! Check out the awesome key art for the series below:


And here's a look ahead at what's sure to be a brilliant season (if for no other reason than the Stetson line):