Burton & Taylor trailer

Dominic West and Helena Bonham Carter as Richard Burton and Elizabeth Taylor? I AM SO THERE.



Not sure about a US air date, but I seem to remember hearing something about this film airing on BBC America this fall.

The King's Speech

I finally got to see The King's Speech since it at long last opened in a local theater. And oh, let me tell you, it was worth the wait. The King's Speech is every bit as extraordinary, moving, and gripping as all of the rave reviews have claimed. It's an intimate, personal story set against the most epic of backdrops - the onset of World War II. For a reluctant leader the stakes couldn't be higher - yet the most ordinary thing imaginable, speaking, eludes him at every turn. In an increasingly media-centered world, a sovereign's image is no longer formed by simple photographs, now his words carry weight and have the capability of rallying people to his side or leaving them cowering in fear. For a man with a crippling stammer, the problem seems overwhelming. Yet with the help of Lionel Logue, a highly unconventional speech therapist, George VI found his voice.

My knowledge of Elizabeth II's father, George VI, was pretty sparse all things considered - limited to history books or the character's occasional appearance in a war-era film. Several years ago I remember enjoying the Masterpiece production Bertie and Elizabeth, where Bertie a.k.a. George VI was played by James Wilby. I have no recollection of that film addressing George's speech impediment, so The King's Speech was quite eye-opening as it raises George's story to a whole new level of inspiring. For a man who was born as the "spare heir" to older brother Edward, dealing with a crippling stammer would have been bad enough, but at least he didn't have the added pressure being the heir would bring. But all of that changed when Edward decided if he couldn't have the twice-divorced Wallis Simpson he wanted nothing to do with the throne, and suddenly Bertie and his stammer were thrust into a most unwelcome spotlight.

I so hope The King's Speech receives the Oscar nominations I think it so richly deserves when awards season arrives. Performances aside, on a purely artistic level it's an exquisitely, beautifully made film. The attention to period detail, from every stitch of the costumes to each prop in Logue's office is a delight to the eyes. The script is just brilliant, by turns hilarious and heart-wrenching. And the structure of the film is superb, each scene carefully placed, raising the stakes for the characters and leaving you on the edge of your seat, breathless with anticipation to see how George will rise above his stammer and his fear to embrace the role of leader.

As Bertie/George VI, Colin Firth's performance is an absolute revelation. For my money this is the performance of his career. I left the theater absolutely exhausted from the emotional investment I felt when watching Bertie. The painful effort with which Firth shows how hard it was for Bertie to articulate his thoughts and feelings left me completely wrung out as a viewer. Prior to seeing this film, I never, ever would have imagined that watching a film where a central plot device, if you will, is a speech impediment could be so gripping or get me as emotionally involved as it did. But when you have a sympathetic, engaging character - all the more compelling because he was real - and a tour-de-force performance from a great actor pouring his heart and soul into the role, you can't help but be moved. It might be easy going into The King's Speech to think of it as "simply" a historic biopic, but it's so much more than that - it's about overcoming physical impediments and even more than that, I'd say it's about overcoming fear - and who hasn't been attacked by that monster?

Geoffrey Rush's turn as Australian speech therapist Lionel Logue is equally brilliant. He and Firth play off each other brilliantly, bringing Bertie and Lionel's unorthodox friendship to vibrant life. Logue must've been a fascinating guy. He apparently loved Shakespeare (a fact I really appreciated *g*), and dreamed of finding success on the amateur stage, which sadly for him never happened. He also apparently had no formal training as a speech therapist - all of his therapies and expertise were based on his hands-on experience with shell-shocked World War I veterans in Australia - clearly the guy was a brilliant maverick, if you will. The social constraints Logue had to push through in order to gain Bertie's trust, and get to the root of his stammer, made for fascinating viewing. Not only did Logue have his unorthodox methods and "commoner" status working against him, but he was Australian, and that class distinction created problems and prejudices I never could've imagined. Lionel and Bertie form a friendship that grows to transcend class, but in order to get to that point the two of them go through an unbelievable refining fire that tests each man's resolve to the near breaking point.

I was incredibly impressed with Helena Bonham Carter's regal, gracious turn as Bertie's wife Elizabeth. I can remember how "The Queen Mother" seemed to be pretty universally beloved right up to her death at the age of 101 in 2002. But again, I didn't really know much about her earlier life as an unexpected Queen, and I never suspected the pivotal role she played in supporting her husband and seeking treatment options for his debilitating stutter. One has this rather vague idea that Elizabeth II's mother must've been a force to be reckoned with to stand up to the London Blitz and then serve as family matriarch through the turbulent personal years the royals have seen just in my lifetime. But I have so much more respect for her now, after having seen this movie. If Elizabeth and Bertie's marriage was half as supportive as this film portrays it, I'd still be blown away by their relationship. It's been ages since I've seen Carter play such a restrained (i.e. not crazy) role, and does it here beautifully. Keeping my fingers crossed for a supporting actress Oscar nod.

There are several other notable cast members that I'd like to quickly point out. The first and perhaps most notable to me as a Jane Austen fan is Jennifer Ehle, playing Myrtle Logue, Lionel's wife. Ehle, of course, appeared opposite Colin Firth as Elizabeth Bennet in the 1995 Pride and Prejudice. In the film, Lionel keeps his consulations with Bertie a secret from his wife - when the accidental "reveal" occurs, Rush is absolutely hilarious playing the flustered spouse. And when Myrtle looks in shock at the king-to-be and asks where she's seen him before, well the P&P fan in me really enjoyed that moment. A third P&P alum makes a brief appearance as well. David Bamber, who so memorably portrayed Mr. Collins, appears briefly as a Theatre Director who squashes Lionel's hopeful Shakespeare audition. Derek Jacobi, who has appeared in everything from Doctor Who to Masterpiece productions, makes an annoying, ingratiating Archbishop of Cantebury. And I absolutely loved seeing Anthony Andrews on-screen again, even if he did only play P.M. Stanley Baldwin. The Andrews/Seymour Scarlet Pimpernel is definitely worth checking out if you've never seen it. Timothy Spall makes a fairly good Winston Churchill - he had the voice and mannerisms down pretty well, but looks-wise there have been better film Churchills IMO.

Bertie's parents are played by a regal Claire Bloom and Michael Gambon (goodness the man seems like he's in everything nowadays!). The parent/child dynamic in this film is fascinating and heart-breaking to see here. Not only do you have the whole traditional British "stiff upper lip" thing going on, but lack of understanding of what caused Bertie's stammer and how best to deal with it also fostered tension in the royal father/son relationship. During one heart-breaking scene, the first time Bertie really opens up to Lionel, occurs immediately after his father's death. He shares details of physical abuse at the hands of a nanny who preferred his brother to what would be termed emotional abuse/neglect today from his parents. Or perhaps I should clarify - I think the film was trying to drive home the idea that because of his disability, the people who most could've helped him instead made the situation worse due to lack of understanding and the position they were expected to uphold. When you see Colin Firth on-screen as a man only a breath away from the throne, who only wanted his father's approval - which was only given on his deathbed, and then not to him personally - I defy you to not want to bawl. In fact, you might when you witness Bloom's silent approval of her second son's first wartime speech. :)

The brothers dynamic is also incredibly complex and fascinating. Edward is played by Guy Pearce, and can I just tell you while Pearce certainly looked the part it was bizarre to see him in the role. In the film, because of his status as the heir or his devil-may-care personality - or perhaps a combination of the two - Edward is the golden favored one. Favored, that is, until his affairs with married women like Wallis Simpson start to cause PR problems for the royal family. Compared to Bertie, Edward comes across as a spoiled, petulant child - no pun intended, but all that glitters clearly isn't gold. And good grief, I don't care what "skills" Wallis Simpson may have learned from "an establishment" in Shanghai (when Carter makes this assertion in the movie it's a priceless put-down!), but seriously?! In this film portrayal, anyway, she was so not worth it.

I know this is really long, but just a few more thoughts I really want to try and verbalize. I think this movie's appeal is quite universal, and that's due to too things. This is most definitely not a "stuttering" movie, though it will make you think about the difficulties of coping with that in a whole new, and more informed, light. But more than that it's a story of how do you cope when your life changes in a flash, and how do you face your worst fears. The thought that the heir would abdicate was not even a blip on anyone's radar during Bertie's growing-up years. Sure, he was second in line to the throne until Edward had a child, but he was only the "spare heir," emphasis on spare. Not only did Bertie have to radically change his plans and view of his life, but so did his wife. One of my favorite scenes occurs shortly before Bertie's coronation as George VI, when he breaks down sobbing about never wanting, not being worthy to be king. Elizabeth reminds him that he had to propose to her three times before she'd accept, because she wasn't sure she wanted life in the public eye - but she thought he "stammered so beautifully" she couldn't say no. Not only is that an incredible illustration of love, but think about it - being a wartime queen was certainly more than she bargained for when she married the younger prince.

Very early in The King's Speech, Bertie's daughters Elizabeth and Margaret request a bedtime story from their father. The herculean effort and bravery it took to complete such a "simple" everyday task just broke my heart. But he did it. And the love for his children that allowed him to tell that story is a foreshadowing of the love and extraordinary friendship that equips Bertie, the man who never wanted to be king, to be the leader and voice of a nation in its darkest hour. The speech - the king's first during the war - that caps this film is a nail-biter. The filmmakers and actors really given you a feel for what it must have been like to live during that time, literally hanging on every word spilling from your radio. That reminds me - Alexandre Desplat's score for this movie is gorgeous. But during that final speech, Beethoven Symphony No. 7 - II plays, and it's an absolute genius musical selection. The look Logue and the king exchange after the speech, saying so much without words is a fantastic moment, so well-played by Firth and Rush - they are quite the on-screen pairing in this movie.

This is one of those movies that I'll be thinking about for a long time to come. It's a powerful portrait of the life-changing gift of friendship, and a moving reminder, for me anyway, of faith in the face of fear. The next time you think about how far God's brought you through whatever your valley may be, I challenge you to take an extra moment to thank him for the people He may have placed in your life to help you through your valley. That's just one of the gifts The King's Speech left me. For as long as this post is, I feel like I've barely scratched the surface of the beauty and brilliance in this film. I highly recommend making the time to see it if and when it finally appears in a theater near you.* This movie definitely ranks as a highlight of the year.

*Just a note on the R rating - that's for two scenes of swearing. The swearing is part of Bertie's therapy. For all the swearing in those two scenes - a good chunk of which is a bit hard to understand - I still don't get how that warranted a R rating. Just so you know. :)

Harry Potter and the Deathly Hallows, Part One

Spoilers...

Oh Harry...where oh were do I begin? I'm not really sure how to review Harry Potter and the Deathly Hallows, Part One. I can't recall the last time I've ever looked forward to film with more excitement, balanced with equal amounts of trepidation. It's not that I was concerned about how J.K. Rowling's fantastic series finale would be brought to life on-screen, it's more that I just don't even want to contemplate the end of the journey. When the seventh book came out I wasn't as crushed by "The End" of the series as much as I could have been, because I knew we still had films in the pipeline to look forward to. And now, the nearly decade-long film journey anchored by Daniel Radcliffe, Emma Watson, and Rupert Grint is drawing to a close - and I loved every second of it.

Going into the film, I hadn't re-read the book. I haven't re-read any of the books in ages, actually, now that I stop and think about it. Chronic case of too many books and way too little time. I've never been one who has been bothered by any omissions or changes from book to film. I typically do a pretty good job of "filling in the blanks" when it comes to any changes or omissions the filmmakers made in order to bring the stories to life on-screen. I'm actually quite glad I didn't re-read Deathly Hallows prior to seeing the movie - there was a lot that I'd forgotten, so I feel like I was able to approach the story with somewhat fresh eyes. It was rather like reading the book for the first time - a revelation in every scene instead of on every page.

I've read a couple of reviews that made statements to the effect that this is a complete tonal shift from all previous movies in the series. Yes, there's no Hogwarts in Part One, and yes, with different directors bringing their own vision to Rowling's world, none of the films have ever been cookie cutter copies of the others in the series. But like the novels, Deathly Hallows felt like a natural progression of everything that's come before. The characters we've come to know and love and watch grow up before our very eyes are in more danger than ever - quite frankly at the end of their rope. When all seems hopeless and overwhelming, this is where the rubber meets the road, relationships are tested and fears are faced. This is where everything that's come before has led - all pointing towards a final showdown with overwhelming darkness. You must pardon me if I sound more melodramatic or over-the-top (than usual), but I love these characters and stories so much that I can't help but feel emotionally invested in watching this story play out on the big screen.

I can remember joking when Return of the King came out that the last hour of the movie was rather like Peter Jackson's long, endless goodbye to the characters and their adventures in Middle Earth. That's rather how I feel about Deathly Hallows - and if the "goodbye nods" in Part One have gotten to me, after Part Two you're going to need to scrape me off the floor, I'm sure to be a sobbing puddle. *wink* The filmmakers are doing their level best to be thorough and I so appreciate all the little touches this film contains, bringing the whole series to a glorious close. We get to briefly revisit Harry's Aunt Petunia (Fiona Shaw), Uncle Vernon (Richard Griffiths), and cousin Dudley (Harry Melling) as Harry sees them off as they go into hiding - characters we hadn't gotten to see since Order of the Phoenix. (Side note: When Harry took one last look inside the cupboard under the stairs before being picked up by the Order, I nearly started bawling.) It was also great to see Madame Maxime (Frances de la Tour) return for Bill and Fleur's interrupted wedding - watching Hagrid (Robbie Coltrane) make eyes at her once again was a fun moment. And speaking of Fleur and Bill, it was great to finally, finally meet Bill Weasley on-screen (played by Domhall Gleeson). And words cannot describe how happy I was to see the role of Rufus Scrimgeour played by Bill Nighy. That was pitch-perfect casting.

Of course it was wonderful to see the rest of the Weasley clan and members of the Order make return appearances. We only get to see Mad-Eye Moody (Brendan Gleeson) briefly at the beginning of the film, but it served to remind one of just how perfectly Gleeson was cast in the role. Lupin (David Thewlis) and Tonks (Natalia Tena) are of course married now, and let me tell you with as much as I adore Lupin there's a part of me that is not looking forward to seeing him again in Part Two. *sigh* I simply adore Molly (Julie Walters) and Arthur (Mark Williams) Weasley, though their on-screen time was all too short. Can't wait for Molly to utter "the line" during her final fight. *wink* And the twins, Fred (James Phelps) and George (Oliver Phelps), they just about broke my heart. I loved seeing their humor and bravery - I know they're gonna break my heart in Part Two. And isn't Ginny Weasley (Bonnie Wright) just too adorable for words?! (Interesting fact: According to the IMDB, Wright is engaged to Jamie Campbell Bower, who plays Gellert Grindelwald - interesting connection, no?) Oh, and I've just got to tell you while I loved catching glimpses of Dumbledore (Michael Gambon), I can't wait to see him again in Part Two! Gambon is one of my favorite bits of casting for the entire film series - he's pretty much exactly as I'd imagine Dumbeldore when reading the novels.

My absolute favorite returning character belongs to Dobby the house elf, voiced by Toby Jones. I love Dobby, and honestly I've quite missed the fact that he hasn't been seen on-screen since Chamber of Secrets. But returning for this film means Dobby returns in style - he gets his finest moment here, sacrificing himself heroically for his friends - and I loved that. It was a wrenching note on which to end this installment, but it was not without hope. For as sad as Dobby's burial scene was, I loved the way the scene was staged - Dobby was a character that, thanks to Harry's actions at the end of Chamber, got to finally live life on his own terms.

Of course plenty of villains (I can't bring myself to include the Dursleys in the out and out villains category) and familiar settings get revisited in this film - it's nothing if not thorough. I was so, so happy to see Jason Isaacs back as Draco's father, Lucius Malfoy. My oh my that man can rock the long blonde hair. Loved seeing the normally smooth and suave Lucius borderline unhinged from the pressure of trying to deal with Voldemort. I also really like Helen McCrory as Narcissa Malfoy. I don't think she had a single line in this movie, but oh goodness does she have the look and attitude I'd imagine for Narcissa. I also love me some crazy Helena Bonham Carter - she was pitch-perfect casting as Bellatrix Lestrange. Her face-off with Hermione at Malfoy Manor was chilling and so well-played! And of course there's my beloved Draco (Tom Felton). I am so, so glad he stuck with the film series - I can't imagine anyone else playing Draco half so well. It's nice, too, that the other "kids" have caught up with Felton - it seems like he hit his growth spurt/maturity a bit before Harry, Hermione, and Ron. It was also great to see Dolores Umbridge again (Imelda Staunton) when Harry, Ron, and Hermione break into the Ministry of Magic to steal the Horcrux locket. She is so over-the-top and prissy it always cracks me up, and I enjoyed experiencing her cat obsession when they all started meowing from the plates in her office - hilarious! Of course we get to see Severus Snape (Alan Rickman) - I'm really, really looking forward to seeing how Rickman plays Snape's pivotal scenes in Part Two.

I've always been a bit iffy on the casting of Ralph Fiennes as Voldemort. I fully acknowledge that's more due to my bias against him as an actor than his actual acting abilities. But this time around I felt like Voldemort was finally unleashed if you will, and Fiennes took the creep factor to a whole new level. From the opening scene at the Death Eaters "convention" (haha) were Voldemort terrifies Lucius by asking for his wand, and then murders Charity Burbage, to the scene at the very end where he breaks into Dumbledore's crypt to steal the wand, I finally felt like I really was satisfied with Fiennes' casting. He was creepy and disturbing and insane, everything Voldemort needs to be.

But of course the heart of the movie is the relationship between Harry, Ron, and Hermione. They are the heart and soul of the movie, and the chemistry between Radcliffe, Grint, and Watson are one of the main reasons I love the movies so much. The studio hit the casting jackpot when they bestowed the roles of Harry, Ron, and Hermione on these three - it's been a joy to watch them grow up on-screen, hasn't it? This movie was, as is fitting, almost painful to watch at times because of the severe testing Harry, Ron, and Hermione undergo throughout their journey to outwit Voldemort and the Death Eaters and find the remaining Horcruxes. There are so many great moments between these three. From Ron and Hermione's budding relationship (loved Watson's delivery of the line about always being mad at Ron) to Ron's jealousy of Harry nearly costing him his two closest friends (wasn't expecting nearly naked Harry and Hermione though, LOL), to Harry's close, protective relationship towards Hermione - these "kids" have grown into some really great actors. Wasn't the moment where Harry and Hermione dance just to die for? LOVED the expressions on their faces. It was a nice way of acknowledging that there *could've* been something between Hermione and Harry, but they choose not to go there. Didn't expect it but very well played by Watson and Radcliffe. Each successive film has stretched and tested the abilities of the main three, and Deathly Hallows feels like a culmination of that process. I really look forward to seeing what projects come from Radcliffe, Grint, and Watson's post-Harry careers.

I want to touch on two of my favorite scenes in the entire film. The first is where Harry and Hermione visit Godric's Hollow, and Harry sees the destroyed home where he became "The Boy Who Lived." They also visit James and Lily's graves, and oh the look on Radcliffe's face as he stood over their tombstone ripped my heart out. And when I saw the inscription, "The last enemy to be conquered is death" (1 Corinthians 15:26), I nearly lost it right then and there. That hope, that type of worldview, is just one of the many reasons I adore the Potter stories. Rowling crafted characters whose faith and resilience are a ray of hope and light in the face of overwhelming evil and darkness. It's their choices that make these characters so beloved and unforgettable, and examples of the best mankind has to offer. I also loved the way the film brought "The Tale of the Three Brothers" and the fabled Deathly Hallows to life when the three visit Luna's father, Xenophilius Lovegood (Rhys Ifans). The animation was just fantastic and just seemed to fit so well in the Potter universe. I never expected an animated interlude in a Potter film like that, much less one that worked so well. And seeing things "click" for Harry, Ron, and Hermione as the Hallows are described was a great moment. (Side note: I loved seeing Evanna Lynch's take on Luna Lovegood again, she was just perfectly cast. But I'm not sold on Ifans as her father. Physically he was a good match, just not quite as I imagined.)

Deathly Hallows marks director David Yates third outing at the helm of a Potter film. I've got to say I've been quite pleased with his vision for bringing the stories to life, and I think it's served the series well, as it builds towards its epic finale, that the same director has been overseeing the last few installments of the series. The camerawork and pacing of this movie is superb - never a dull moment, for a film with only a few action sequences and a lot of "down" time for our leads, I was riveted throughout the movies two and a half hour runtime. I loved the look of the movie - often bleak and empty, the settings place our characters in an eerie physical and spiritual, if you will, isolation that intensifies their struggles to cope with the dangers before them. I also thought that Alexandre Desplat's score was terrific. This is the prolific composer's first score for a Potter film, and I thought he did a fantastic job marrying the music to the action. We've come a long way from the childlike wonderment evident in John Williams' score for the first two Potter films, but no matter the composer subsequently, the magic has never been lost and the emotion still remains.

Oh how I can't wait for Part Two in July. The wait seems interminable, but I know all too well that the time will fly by. I'm sure I'll greet the premiere with even stronger mixed emotions, but it is a moment I anticipate even more now that I've seen Part One of Deathly Hallows brought to life.

So, Harry Potter fans, if you've seen Deathly Hallows, please chime in with some comments, I'd love to know what you think! There's so, so much more I could say about this film - in a way I feel rather like I'm still "digesting" it if you will. It will take another few viewings to really take everything in, don't you know. I could go on and on, but I've got to stop this post sometime. :) After all, I've been working on this post for over a day as it is...

The King's Speech trailer

The film The King's Speech has been on my radar for a while now thanks to the periodic updates on Enchanted Serenity of Period Films. Charleybrown just posted the new, full trailer for this picture, which according to the IMDB is due to release over Thanksgiving weekend. (That's probably a limited release date, but I'm hopeful that it will go into wide release in the US no later than Christmas, especially since this movie is getting so much Oscar buzz thanks to Colin Firth and Geoffrey Rush's performances.)

Alice in Wonderland

I saw Alice in Wonderland this afternoon, and I absolutely loved it. Every single frame of film in this movie just blew me away. Tim Burton has made several movies that I've liked, but never one that I really liked, if you know what I mean. This one fits the bill. I've never been fond of the Alice story - Lewis Carroll's books never  really captivated me, and the animated Disney film was always one of my least favorites growing up. However, I've grown into a really big fan of revisionist retellings, like Tin Man in the case of The Wizard of Oz, or the SyFy miniseries Alice that aired in December of last year. In the case of this latest version of the Alice story, Alice (Mia Wasikowska) returns to Wonderland over thirteen years after her first visit. You see, she has a destiny to fulfill - killing the Jabberwocky and ending the Red Queen's reign. But first she must navigate the dangers of Wonderland and decide if she has what it takes to be a heroine.

I loved the "real world" frame story Burton presents us with - Alice, surrounded by very conventional people, is expected to marry a gosh-awful fellow named Hamish and lead a very conventional, very safe life. But Alice's father was a man who used to believe at least six impossible things before breakfast, and that sense of wonder, and longing for adventure, is in her very blood. I really, really liked Wasikowska's take on Alice - she starts out rather unsure of herself, but as she finds her footing and her confidence, she learns to handle all of the strange creatures and dangers thrown her way with courage and ingenuity.

Helena Bonham Carter's gigantic-headed Red Queen was hilarious. Carter almost manages to turn the Red Queen into a sympathetic character (really, being sister to the White Queen would've gotten old after about five minutes), but she's too far gone really change, and is a great villainness. I'm thinking Carter is a lock to play Maleficent - given how much I like what Burton's done with the Alice story, I can't wait for his take on Sleeping Beauty, one of my all-time favorite fairy tales. Anne Hathaway was perfect to play the absolutely perfect, beloved White Queen. She takes her acting history playing perfect, princess-y characters (think The Princess Diaries and Ella Enchanted) and gives the White Queen these really funny, over-the-top mannerisms that fit the character perfectly. Her dark eyebrows and lipstick was a little freaky, though - that could've done with some toning down, just sayin'!

It should come as no surprise that my absolute favorite character in the film was Johnny Depp's the Mad Hatter. I don't think you could wish for a better actor to play the crazy guy. :) The Hatter is funny, and over-the-top, and poignant, and brave all at once. It's yet another riveting chance to watch Depp completely lose himself in a role, and I loved every moment of it. The Hatter and Alice are given a really wonderful friendship in this retelling, and I wish it had been given even more screentime. There were moments when the Hatter went all crazy-intense, that he sounded like Captain Jack - loved that. :)

In addition to Martin Sheen as the White Rabbit, this movie is packed with tons of other great voiceover talent. Stephen Fry gives voice to the rather devious Cheshire Cat (LOVED it!), while Alan Rickman voices the Blue Caterpillar. I'm not familiar with actor Paul Whitehouse, who voices the March Hare, but his work was HILARIOUS, and a great companion to Depp's zany Hatter. Imelda Staunton lends her voice to two talking flowers, and Christopher Lee is pitch-perfect and menacing as the voice of the Jabberwocky. Oh, and in the non-voiceover category, it was great to see Tim Pigott-Smith (North & South) in a supporting role as Alice's future business partner, Lord Ascot.

Besides the acting talent, the script, design of the film, costumes, special effects, and music are all superb. Burton's use of color in his films is always one of the most striking things about his work (for me, anyway), and this time is no exception. The color and design of this film fills each frame with eye-popping, fantastic visuals. It will take multiple viewings of this movie on DVD, I'm sure, to really appreciate the depth and richness of this movie. Oh, and Danny Elfman's score is AMAZING! He's created some great work for Tim Burton's movies, but this score has to be my favorite. It sort of as an old-fashioned adventure movie feel to it - lush, full orchestrations with just the right dash of the whimsy and the fantastical. Just shy of two hours long, this movie flies by with never a dull or dragging moment. To sum up, see this movie asap - it's tremendous fun. :)