Monday, December 31, 2012

2012 in Books & Film

Happy New Year, dear readers! I can hardly believe that once again it is time to reflect on the previous year in book and film (since that is such a large part of my life, and the main focus of this little corner of the internet). As I've mentioned in previous retrospective posts, I'm not really one for "best-of" lists -- so the books or films I'm highlighting are those that have made the greatest emotional and/or intellectual impact on me in the proceeding year, whether through carefully-crafted prose, tight plotting, or sheer fun. :)

This year marks something of a personal record for me -- I managed to review 66 books here this year -- a number that wildly surpasses the record-keeping I've participated in on Goodreads since I first joined that site in 2006. My reading challenge for the year was to top 2011's 40 books read and reviewed, so I'm thrilled with surpassing my initial goal of 50 and coming in at 132%. *wink* This past year's reading has been an eclectic mix, and I've stretched myself beyond the bounds of my "norm" (Christian fiction) to also enjoy pulp fiction classics, steampunk, and graphic novels. Without further ado, and in no particular order, here are my ten favorite reads for 2012 (click the cover to be taken to my review, and for the full reading list check out my book review archives or Books Read in 2012 Pinterest board).

Ten Books
(Click cover to read review)

      

       

     

     

      

I saw so many fantastic films this year, but I only managed to review 18 (I cannot BELIEVE that I still haven't done a write-up about The Bourne Legacy!!). While this list isn't quite as comprehensive as my book one, here are some of my favorite (reviewed) films from the past year -- and believe me, it was HARD to narrow this list down! :) You can access the full list of reviews on my Movies Reviewed in 2012 Pinterest board or through the movie archives page. 

Eight Films
(Click poster to read review)

     

        

        

        

Typically I also look back on the year in television, but I feel as though my TV-related blogging has been ALL over the map this past year (i.e. I may NEVER catch up, ha!) so I'm going to give that a pass. If you're interested you can check out the categories that did receive the most attention on the blog this year -- TV Reviews, Masterpiece Classic, and Masterpiece Mystery. :)

It's been a good year. :) As always, thank you, dear readers, for taking the time to visit my corner of the web and engaging -- you make this fun! I'd love to hear some of your 2012 favorites, so please chime in! :)

Review: A Beautiful Blue Death by Charles Finch


A Beautiful Blue Death (Charles Lenox #1)
By: Charles Finch
Publisher: Minotaur Books
ISBN: B003JH866G

About the book:

On any given day in London, all Charles Lenox, Victorian gentleman and armchair explorer, wants to do is relax in his private study with a cup of tea, a roaring fire and a good book. But when his lifelong friend Lady Jane asks for his help, Lenox cannot resist another chance to unravel a mystery, even if it means trudging through the snow to her townhouse next door.

One of Jane’s former servants, Prudence Smith, is dead – an apparent suicide. But Lenox suspects something far more sinister: murder, by a rare and deadly poison. The house where the girl worked is full of suspects, and though Prudence dabbled with the hearts of more than a few men, Lenox is baffled by an elusive lack of motive in the girl’s death.
When another body turns up during the London season’s most fashionable ball, Lenox must untangle a web of loyalties and animosities. Was it jealousy that killed Prudence? Or was it something else entirely, something that Lenox alone can uncover before the killer strikes again – disturbingly close to home?

Review:

Charles Lenox is a consummate Victorian gentleman -- fond of good books and good food, pleasant company, and a warm fire. But unlike most gentlemen of his social class, Lenox doesn't just visit his clubs and attend dinner parties -- he solves crimes. His wealth and status allow him to pursue his twin passions of academic research and travel as well as staying abreast of the latest in investigative methods and research, earning him a reputation for resourcefulness, discretion, and results. When Lady Jane Grey, his closest friend and neighbor, learns that her one-time maid, Prue, has died in suspicious circumstances, she turns to Charles for assistance. Unable to resist the charms of his lovely neighbor and the thrill of a new case, Charles accepts her commission and is thrust into the world of the enigmatic Barnard's household, where nothing is as it seems and everyone is suspect. As the director of the Royal Mint, Barnard is eager to see his maid's death rule a suicide. But when Lenox learns that Prue died from bella indigo -- an extremely rare poison known as  the "beautiful blue" -- all evidence points to a killer with money and connections, and a plot that if left unchecked could shake the foundations of the British economy.

Finch's debut introducing gentleman sleuth Charles Lenox is a cozy mystery lover's delight, replete with colorful characters, shadowy motives, and an investigator whose charm, persistence, and dedication to his craft promise a tidy resolution by the final chapter. Lenox is a charmer, thoroughly aristocratic in his manner and morals but wonderfully accessible, a bachelor set in his ways with unique academic interests and a determination to ferret out the truth of a case, no matter the cost. A cross between Sayers' Lord Peter Wimsey, with a dash of Wodehouse-ian warmth and humor, the character of Lenox is without a doubt this novel's greatest strength. A gentleman in every sense of the term, Lenox's warmth and moral center, his well-placed idiosyncrasies, make him a wonderfully human protagonist -- not particularly charismatic (at this juncture, at any rate), his appeal lies in his unabashed, straightforward sincerity and unflagging loyalty to those individuals and causes closest to his heart.

Compared to Lenox, the other characters populating his world are rather colorless, with only hints of promise and greater depth beneath the barest of hints granted on the page. McConnell, the tortured Scottish doctor and Lenox's forensic expert of choice, has a tantalizing backstory that is only hinted at. One hopes that in subsequent volumes of the series Finch explores McConnell's character and marriage to his polar opposite -- the vivacious Toto, a leading light in Lenox's social circle. Graham, Lenox's indefatigable butler, has a flair for investigative work and an unexpectedly close past with his employer, but his character remains frustratingly just out of reach, solely defined by his loyalty with the impetus for such left undefined. And while there is the promise of romance between Lenox and his long-time friend Lady Jane, sadly she is a cookie-cutter, colorless presence -- supposedly much in-demand socially, I was left with no idea why -- Lenox likes her and thinks she's pretty, but that one-sided, shallow perspective does not a compelling relationship make.

Finch possesses a promising flair for bringing late 18th-century London to life, from the rich comforts of Lenox's home to the apothecaries and slums he visits as part of his investigation. Plot-wise, the storyline could use some finesse -- Lenox spends a great deal of time mulling over this clue or that development, which makes for a pleasant, leisurely-paced read as he is such a likeable fellow. But the text suffers from an inordinate amount of "info-dumping," a good portion of the final quarter of the novel devoted to Lenox recapping the case and his suddenly successful deductions. With more showing versus telling, and greater attention paid to character development beyond Lenox and a more tightly-plotted story, the pieces are in place for an enjoyable series -- and seeing that this novel is Finch's debut, I have hopes that subsequent outings show greater polish. A Beautiful Blue Death is a pleasant, light-weight diversion, sure to appeal to fans of Wimsey or Poirot. Though the mechanics of Finch's debut mystery may be quickly forgotten, the warmth, humor, and promise contained within the character of Lenox marks this as a the introduction of a memorable gentleman sleuth with whom I look forward to whiling away many more lazy afternoons.

Sunday, December 30, 2012

Call the Midwife - Christmas Special tonight on PBS!

Just a quick reminder that tonight PBS is scheduled to air the Call the Midwife Christmas Special! This episode bridges seasons one and two, the latter scheduled to start airing in the US on March 31st!


Watch Holiday Special - Preview on PBS. See more from Call the Midwife.

Review: The Stepsister Scheme by Jim C. Hines


The Stepsister Scheme (Princess Novels #1)
By: Jim C. Hines
Publisher: DAW
ISBN: B001O222DG

About the book:

Cinderella–whose real name is Danielle Whiteshore (nee Danielle de Glas)–does marry Prince Armand.  And if you can ignore the pigeon incident, their wedding is a dream come true.

But not long after the “happily ever after,” Danielle is attacked by her stepsister Charlotte, who suddenly has all sorts of magic to call upon.  And though Talia–otherwise known as Sleeping Beauty–comes to the rescue (she’s a martial arts master, and all those fairy blessings make her almost unbeatable), Charlotte gets away.
That’s when Danielle discovers a number of disturbing facts: Armand has been kidnapped and taken to the realm of the Fairies; Danielle is pregnant with his child; and the Queen has her own very secret service that consists of Talia and Snow (White, of course).  Snow is an expert at mirror magic and heavy duty flirting.
Can the three princesses track down Armand and extract both the prince and themselves from the clutches of some of fantasyland’s most nefarious villains?

What would happen if an author went back to the darker themes of the original fairy tales for his plots, and then crossed the Disney princesses with Charlie's Angels? What's delivered is The Stepsister Scheme, a whole new take on what happened to Cinderella and her prince after the wedding. And with Jim C. Hines penning the tale readers can bet it won't be and they lived happily ever after.

Review:

I adore fairy tales, and am always on the lookout for fairy tale retellings that seek to breathe fresh life into the bones of a classic, well-known tale. Thanks to a recent GoodReads friend request, I stumbled upon The Stepsister Scheme, the first novel in Jim C. Hines' Princess series. With its graphic novel-style cover artwork featuring three princesses ready for battle, I was immediately intrigued, as the artwork promises that are most assuredly not the princesses of classic lore. For the first volume in his Princess series, author Jim C. Hines returns some of literature's most famous heroines to their darker Grimm roots. Adding a healthy dash of modern sensibility, wry humor, and a set-up reminiscent of Charlie's Angels, Hines' princesses are no wilting wallflowers waiting to be rescued -- rather they are on a quest to reclaim their lives from the sanitized, romantic tales that have arisen around rumors of their respective pasts.

As the title hints, The Stepsister Scheme is primarily centered on Danielle Whiteshore, the real Cinderella (in a nice touch her father was a master glass artisan), attempting to adjust to her new life as a wife and princess. But shedding her past, riddled with emotional and physical abuses, proves difficult, and Danielle has trouble reconciling her previous hardscrabble existence with her stepmother and stepsisters with the privilege and power it is now her right to command. Following an attempted assassination attempt by her suddenly magic-wielding stepsister Charlotte, Danielle is introduced to a world she never dreamed existed, where her mother-in-law, Queen Bea, commands a duo of elite women -- Snow White, an expert in all things magical, and Talia, otherwise known as Sleeping Beauty, a fighting expert thanks to the fairies' gifts of preternatural grace and intuition. Snow and Talia's unique skill sets make them the ideal agents to serve the queen on dangerous assignments -- and when the attempt on Danielle's life reveals a plot to kidnap her husband and overthrow the kingdom, she joins the pair determined to save her marriage and prove her mettle as a fighting princess.

I loved the multitude of nods to each princess's original story that Hines incorporates into his wildly fractured reimagining. Snow's nemesis -- this time her mother -- is tortured by being forced to dance in red-hot shoes as in the Grimm version. There's also a tragically doomed romance with a handsome huntsman and a multitude of mirrors replete with magical uses. Talia views her fairy gifts as more of a curse than a blessing, and while a prince figures in her reawakening, he's less noble and far more lecherous pervert. I loved the touch of a "spindle whip" being Talia's weapon of choice -- that was a nice nod the spindle lore in the original tale. But my favorite nod to Grimm involved Danielle's story, which saw Hines keep "Cinderwench's" guardian angel in the form of her mother's spirit -- first trapped within a magical tree, then a glass (!!) sword, as well as the vicious bird attack her stepsisters experience at the royal wedding.

While this is an undeniably fun concept, where this debut in the series falters is in character development. Danielle is the only princess I consistently felt any sympathy towards or inclination to cheer on as she fought to rescue her husband and reclaim her happy ending from the machinations of her stepsisters. Snow and Talia suffer from unfortunate stereotyping for much of the novel -- Snow is a sexed-up flirt while Talia is the embittered, rude warrior (and in a "twist" you can see coming a mile off, has unrequited feelings for Snow...ergh). Much is made of their own dark histories, but it isn't until the final third of the novel that their backstories are explored, finally lending the them some level of much-needed depth. Despite the character development issues and an occasional want of plot focus, Hines' world-building sparks with life. This is a fresh, energetic, and oft-times wonderfully snarky take on fairy tale retellings that shows great promise for future volumes.

Thursday, December 27, 2012

Review: Gangster Squad by Paul Lieberman


Gangster Squad: Covert Cops, the Mob, and the Battle for Los Angeles
By: Paul Lieberman
Publisher: Thomas Dunne Books
ISBN: 978-1-250-02011-6

About the book:

GANGSTER SQUAD chronicles the true story of the secretive police unit that waged an anything-goes war to drive Mickey Cohen and other hoodlums from Los Angeles after WWII. In 1946, the LAPD launched the Gangster Squad with eight men who met covertly on street corners and slept with Tommy guns under their beds. But for two cops, all that mattered was nailing the strutting gangster Mickey Cohen. Sgt. Jack O’Mara was a square-jawed church usher, Sgt. Jerry Wooters a cynical maverick. About all they had in common was their obsession. So O’Mara set a trap to prove Mickey was a killer. And Wooters formed an alliance with Mickey’s budding rival, Jack “The Enforcer” Whalen. Two cops -- two hoodlums.  Their fates collided in the closing days of the 1950s, when late one night “The Enforcer” confronted Mickey and his crew. The aftermath would shake both LA’s mob and police department, and signal the end of a defining era in the city’s history.

Warner Brothers developed the film Gangster Squad based on the research award-winning journalist Paul Lieberman conducted for this book, which reveals the unbelievable true stories behind the film. He spent more than a decade tracking down and interviewing surviving members of the real police unit as well as families and associates of the mobsters they pursued.  Gangster Squad is a tour-de-force narrative reminiscent of LA Confidential.

Review:

I adore film noir -- the shadow-drenched films of the 40s and 50s that brought to life a world inhabited by gangsters, femme fatales, and hard-boiled private eyes, double-crosses and shoot-outs, a murky cinematic world where the line between good and evil was more often than not blurred beyond recognition. The first time I heard of the upcoming film Gangster Squad was in the aftermath of the Aurora, CO theater shooting, when the trailer was pulled due to the fact that it contained scenes of a movie theater shoot-out (the sequence was subsequently cut and a new scene shot to take its place). I assumed the story was a fiction -- until I saw the trailer just over a week ago and absolutely fell in love with the look of the film. Generally speaking gangster pictures are a bit out of my viewing norm, but I am a total sucker for the look of the 40s and 50s and whatever else may be said about the upcoming film -- it has style in spades. When I learned that the film was based on the real-life exploits of LA-based gangster Mickey Cohen and the LAPD's secret "Gangster Squad," I knew I had to investigate the book that chronicling the LAPD's mid-century war on organized crime. And oh what a wild ride -- if nothing else Gangster Squad more than proves the old adage that the truth is stranger, and oft-times more compelling, than any fiction.

Journalist Paul Lieberman's 500-plus page account of the LAPD's Gangster Squad is a highly readable, page-turning account of the men whose shadowy crusade against the rise of organized crime in their city arguably changed the face of law enforcement forever. The Los Angeles of the early twentieth-century was a city on the cusp of great and profound change. With the rise of the film industry, LA was becoming an entertainment mecca -- and during the Depression years thousands sought their fortunes under California's sun-drenched skies. The advent of World War II brought a serious population boom to LA, as the city quickly swelled to become one of the top five most populated cities in America. But along with the burgeoning entertainment and industrial sectors came imports of a less desirable sort -- gangsters like Bugsy Siegel and Mickey Cohen who sought to establish gaming and protection racket empires of their own, set to rival their eastern counterparts in Chicago and New York. And thus ten-Chief C.B. Horrall greenlit the formation of the Gangster Squad, the elite, off-the-books, virtually invisible team was hand-picked for their brawn or their brains, and their willingness to completely dedicate themselves to ridding LA of the invading gangster menace.

What is perhaps most amazing about the Gangster Squad is the virtually unquestioned autonomy they were given in their assignment to investigate, tail, and harass the gangster element. Initially their only offices were two beat-up sedans wherein meetings were scheduled on shadowy corners and in vacant lots via coded messages. Since they weren't officially recognized (at least in the first years), they were given free rein to use any method at their disposal to clean up LA's streets -- unwarranted wire taps, their fists -- if a bookie or pimp was "encouraged" to leave town it was tallied a win, no matter the circumstances. What intrigued me most about the team was their pioneering investigative methods. Led by brilliant "bug man" Con Keeler, the squad pioneered new forms of electronic surveillance and wire tapping. And in an age when J. Edgar Hoover of the FBI refused to acknowledge  the existence of an organized mafia in America, the Gangster Squad was among the first to meticulously document the network of connections between LA operatives and their east coast counterparts, building massive handwritten dossiers on targets openly operating in the shadow of the law.

Lieberman's extensive exploration of the Gangster Squad's activities, its members (particularly straight-arrow John O'Mara and the roguish Jerry Wooters relative to Mickey Cohen), and their targets, is a highly readable, fast-paced account of a transformative era in the history of American law enforcement. Whether or  not you agree with their methodology, Gangster Squad is a fascinating examination of the lengths a group of men were willing to go to in order to stand in the gap for their family and city in peril from gangsters who regularly got away with murder. Lieberman's prose and colorful metaphors pack a punch suggestive of the likes of Chandler, bringing his history to life with a flair worthy of a noir classic. I do with a character list, index, and bibliography were included -- the foremost particularly since due to the scope of the history and Lieberman's not exactly linear storytelling it can be difficult to keep the players straight. That aside, for those intrigued by this tumultuous time period Gangster Squad is a fast-placed, not-to-be-missed thrill ride -- an absorbing and thought-provoking window into an explosive period of American history.

Wednesday, December 26, 2012

Downton Season 3 Preview

PBS has released the first ten minutes of Downton Abbey's third season on their Facebook page -- click HERE to watch! (Be warned this will take a while to load!)

Saturday, December 22, 2012

Merry Christmas!


Merry Christmas to you and yours, my friends! With the way my time off is flying by I wanted to make sure I got this greeting up before Christmas came and went. God bless & thanks, as always, for reading. :)

Monday, December 17, 2012

"OLD BILBO: And as we all know, people with psychological problems attract dragons."

People this recap of The Hobbit by author Sarah Rees Brennan is absolutely HILARIOUS. I seriously cannot stop laughing. One of my favorite quotes:

THORIN DREAMBOATSHIELD: I would have arrived earlier but frankly you were juggling plates and singing about the washing up and I’m not in for that.

THORIN DREAMBOATSHIELD: So I stood around outside letting the rain wash down my chiseled profile, staring out into the night and thinking about my dark past, as is my way.


THORIN DREAMBOATSHIELD: NOT A JOLLY DWARF.


THORIN DREAMBOATSHIELD: *but very chiseled*


Thanks to Tasha for bringing this brilliant piece of hilarity to my attention.

Doctor Who: The Snowmen - BBC America trailer

Can. Not. WAIT.

Saturday, December 15, 2012

happiness is a dwarf named Thorin...


































Saw the long-awaited first installment of The Hobbit today. Right now all I can say is Richard m'dear, you did me proud. :)

Friday, December 14, 2012