Unrivaled
By: Siri Mitchell
Publisher: Bethany House
ISBN: 978-0-7642-0797-6
Review:
When Lucy Kendall returns from touring Europe with her aunt and uncle, she brings back not only trunks full of the latest fashions but samples of gloriously decadent, inventive candies that she hopes will serve as the inspiration for a new creation that could save her family's company -- City Confectionery. But Lucy's dreams of working alongside her father, crafting a new, mouth-watering treat that will capture the tastebuds of customers and surpass the success of Royal Taffy, the runaway bestseller stolen by her father's one-time employee, the ruthless businessman Warren Clarke. But upon her return to St. Louis, Lucy's dreams of a candy-coated future are shattered when she discovers her beloved father, bedridden following a heart attack and the family's financial fortunes on the verge of ruin. Her mother, determined to sell the company, pushes Lucy to make a good marriage before the family's fortune -- and reputation -- is irretrievably tarnished by the confectionery's decline. But Lucy wants more than a marriage -- she wants to be the girl who saves her family with an irresistible candy crafted from the heart and soul of her imagination.
St. Louis is Charlie Clarke's chance to leave the shame of Chicago behind him and reconnect with the father who abandoned his family years before. But his father's position in society as the owner of Standard Manufacturing is wholly outside the realm of Charlie's hardscrabble South Side upbringing, and he struggles to adapt, both resenting and craving his father's sudden interest in his life. When he meets Lucy, the "Queen of Love and Beauty," he's captivated by the girl who for one brief moment made him believe he could be a better man, one worthy of her affections. But Lucy is a Kendall, and when she learns he's the son of the man attempting to force her father out of business, a war of wills ignites between the two that threatens to fragment the tenuous connection between them beyond repair. As the competition between Standard and City grows increasingly heated, can Charlie and Lucy find the strength to resist becoming pawns in a battle that threatens to destroy every sweet thing they hold dear?
I've said it before but it bears repeating -- I adore Siri Mitchell's writing, and though it's taken me a while to finish her latest it was worth the wait as each page was worth savoring (no pun intended given the novel's subject matter!). For her latest tale of a woman struggling for self-actualization, Mitchell turns to 1910 St. Louis and the early days of branding and competition within the sweetest of industries -- candy-making. For an industry whose basis is quite literally in sugar, spice, and everything nice, the actual business side of candy-making proves to be a surprisingly ruthless foil for its output -- one rife with dramatic possibilities and spiritual truths.
Of Mitchell's novels that I've read thus far, Lucy is perhaps the most potentially problematic heroine -- she's incredibly single-minded in her drive to save City Confectionery, and that overwhelming desire coupled with a measure of immaturity and selfishness leads her to commit some rather unsavory actions in the name of family pride. That said, as such Lucy is perhaps one of the most refreshingly honest leads I've encountered yet in inspirational fiction. Raised in church, she is no stranger to the concept of faith, but rather than allowing a relational faith to transform her, she relies on being "essentially" good. Only when she can no longer justify her actions in the name of fairness, when she realizes how she's hurt others in her single-minded pursuit of her goal is she able to realize the need for a vibrant, relational faith in her life. Much like her universally reviled hazelnut chews, the veneer of propriety cannot mask the bitter aftertaste of a personality with whom no one wants to associate themselves -- a crushing realization that forces Lucy to re-examine everything about herself and what she holds true.
Charlie Clark receives equal point-of-view page time to Lucy, at a ratio that surpasses my memory of Mitchell's previous heroes. As a result he is one of Mitchell's most fully realized, appealing, and sympathetic characters. That said he is far from perfect, and like Lucy as in his own way used circumstances beyond his control to dictate his actions, oft-times to the detriment of others. I loved seeing St. Louis society through his eyes, and the unabashed ardor with which he responds to Lucy following their initial meeting was positively swoon-worthy.
The time period and exploration of class differences mark Unrivaled as sure to appeal to fans of Downton Abbey, with a distinctive American twist. :) Mitchell continues to possess an unparalleled ability to evoke history as evidenced here through her carefully-meted use of fact, ephemera, and language to evoke the time in which Lucy and Charlie would have lived. This is a novel rich in historical detail, and thanks to Mitchell's excellent plotting and well-drawn characters, imbued with extraordinary warmth, humor, and unvarnished honesty, results in a positively decadent reading experience. Like the candy at the heart of the Kendall-Clarke feud, Unrivaled is a rich, multi-layered exploration of the cost of pride, the power of forgiveness, and the transformative power of faith, and of a belief that asks only that we come as we are -- not as we think we should be. A deceptively straight-forward romance,like the finest of candies Unrivaled is a gorgeously realized examination of character, honor, and family, beautifully told. About the book: Falling in love could be a recipe for disaster...
Lucy Kendall returns from a tour of the Continent, her luggage filled with the latest fashions and a mind fired by inspiration. After tasting Europe's best confections, she's sure she'll come up with a recipe that wills ave her father's struggling candy business and reverse their fortunes. But she soon discovers that their biggest competitor, the cheat who swindled her father out of his prize recipe, has now hired a promotions manager -- a cocky, handsome out-of-towner who gets under Lucy's skin.
Charlie Clarke's new role at Standard Manufacturing is the chance of a lifetime. He can put some rough times behind him and reconnect with the father he's never known. The one thing he never counted on, however, was tenacious Lucy Kendall. She's making his work life miserable...and making herself impossible for him to forget.
***
As a special bonus, here is my vision of Charlie Clarke (only in a turn of the century suit!) -- he's very much cut from the Neal Caffrey/Matt Bomer mold:
Aren't they adorable? Season 3 of White Collar starts June 7th, which can't come soon enough to suit me. Thanks to Rachel for bringing this picture to my attention. :)
I feel like I'm breaking some major unwritten rule of the blog (don't ask me what the other rules are, I didn't know I had any until I started to type this - obviously they are flexible *wink*) by writing an review of episode fourteen of season two of one of my absolute favorite shows EVER. But I can't help it. I've mentioned White Collar a few times here, and if you're friends with me on Facebook it's probably pretty hard to miss my love affair with this show. White Collar has been pretty much made of awesome since the series premiere - but last night's episode, aptly entitled "Payback," was SO. FREAKING. FANTASTIC. I find I must discuss it. So settle in for a lengthy recap & review - since I've never discussed this show before, I must give Neal & Peter their due. :)
FBI agent Peter Burke (Tim DeKay) and his wife Elizabeth (Tiffani Thiessen), or El as she's affectionately known, have one of my favorite TV marriages ever. Too often it seems like marriage on television is portrayed as either highly dysfunctional, undesirable, or some sort of last resort (why marry when you can live together? *sigh*). Peter and El are a glorious exception to that norm. They are deeply in love, respect each other, and are committed and invested in making their marriage work. There's also tons of humor in their relationship - I love that they're not afraid to tease each other or be a little silly. As I've discussed on Facebook with Rachel, a new fan of the series, one of the most delightful things about Peter's personal life is that he married way up and he knows it. This episode plays with that idea by having Peter and El have a fight involving *gasp* dry cleaning (as mundane as this may sound, trust me, this "fight" was serious business for my favs!) - to make a long story short, Peter got upset because El didn't call to remind him to pick up the dry cleaning, because she knew he'd probably forget anyway. And thus one of Peter's worst nightmares has been realized - he's one of "those" guys who never follows through for his woman. A little dramatic, sure, but this type of thing is serious business in the paradise otherwise known as the Burke household.
Conman-turned-FBI consultant Neal Caffrey (Matt Bomer) has become one of Peter's closest friends over the course of the show (the other half of the time he's sort of the overgrown, annoying son Peter never wanted - HA!!). The friendship between Neal and Peter is the heart and soul of the show, and how they push and pull and annoy and help and like each other in spite of it all is an absolute delight to watch each week. Neal's gotten the chance to give Peter some marriage/relationship advice before, but it was pretty funny to witness Neal's reaction to the discovery that Peter was upset over dry cleaning, and even funnier to see Peter accept Neal's counsel so quickly and gratefully. And the fact that Peter shares the story about the importance of saying "hon" to El with Neal? Absolutely priceless. They've come a long way, baby. *wink*
This episode witnesses the return of Neal's nemesis Matthew Keller (Ross McCall), last seen in episode twelve of season one ("Bottlenecked"). When we last saw Keller, he had just ripped off the Russian mob to the tune of 2.5 million dollars and was actually perhaps thankful to be arrested by the FBI. Keller is Neal's polar opposite in pretty much every way imaginable - he's as classless as Neal is like Cary Grant (wasn't his glee over having Peter compare him to Grant hilarious?). Prior to his scheduled transfer to a SuperMax (filled with lots of Russians), Keller requests a meeting. In exchange for giving up info on a forger making "Caffrey-quality" perfect passports, he wants his transfer cancelled. The forger turns out to be an old associate of Keller's - one Jason Lang (Adam Goldberg), now a photographer. When Neal and Peter visit Lang's studio to check out Keller's story, it proves to be a set-up, as Peter is kidnapped and Neal receives a phone call from Keller, who promises to kill Peter unless Neal cooperates. The look of absolute HORROR on Neal's face as he witnesses Peter being stuffed in the van was wrenching, and of course I loved every second it since it spoke to the depth of their friendship.
Keller wants an item Neal has worth (conveniently) 2.5 million to pay off the Russians in exchange for Peter's life. While Peter's boss Reese (James Rebhorn) organizes the "largest manhunt in a decade" to get Peter back, he orders Neal not to engage Keller, since the FBI doesn't negotiate. But of course - and this is the beauty of Neal - he doesn't take orders well, and since no one knows Keller better than him and he has to get his BFF back alive, he arranges a meet with Mozzie (Willie Garson) to plan a course of action. Mozzie is just adorable, and the fact that he's so upset over "the Suit's" (a.k.a. Peter) kidnapping that he brings an "arsenal of hammers" to the meeting with Neal was truly a heartwarming (if eccentric) moment. The hammer was required to chisel a GORGEOUS ring from its hiding place on a statue. The ring was meant for Kate (who, thankfully, is DEAD and anyway Neal, she didn't deserve a rock like that, nevermind a proposal!!), but in perhaps one of the best moments in a show chock-full of priceless scenes, Neal declares that using the ring to save Peter is more important than hanging onto it as a symbol of what he lost with Kate (and their pathetic love story...oh wait, I'm projecting my disdain for Kate here...whoops...).
This episode was such a great showcase for the unlikely family of sorts that's formed between Peter, El, Neal, and Mozzie. There was a time when Mozzie would've refused to darken the door of an FBI agent's home, but he's grown to like Peter, and he has this hilariously special bond with El (because seriously, who doesn't lover her, she's awesome) that compels him to go offer his support to her while she's waiting on word regarding Peter's whereabouts. Not only does Mozzie assure El that Peter is sure to be home for dinner, but he drops a kiss on her forehead (GAH!!! SO SWEET!!!) and then bugs the FBI's headphones to El can hear all the calls that come into her home. That, my friends, is true and abiding love as only Mozzie could display it. The writers gave Mozzie some of his most hilarious lines yet, including this priceless gem that he drops after El confides in him about her morning "fight" with Peter - "The longest relationship I ever had was eleven days...and then she deflated" - I laughed so hard at Garson's deadpan delivery on that line!
Another fascinating thing to witness throughout this show has been the role reversal that Peter and Neal undergo as their friendship/partnership develops. The straight-as-an-arrow Peter has become a bit more lax about the rules thanks to his association with Neal. He has this wonderful faith in Neal's character, in his innate goodness, that allows him to trust the former conman's judgment when everyone else thinks he's crazy. A great illustration of this moment is when Neal convinces Diana (Marsha Thomason) to allow him to "go rogue" and attempt to work with Keller in order to ensure Peter's safety - because that's what Peter would let him do. And though Neal doesn't have nearly as much faith in himself as Peter does (I really want to know more about his parents!), he's learned to trust Peter and embrace - to some extent, anway - the system he once opposed.
When Keller escapes*, Reese comes down hard on Neal for attempting to work outside the FBI's strict protocols. But this set-down turns into an excuse for even more brilliance on the parts of Neal and Peter when Peter, having escaped his handcuffs, calls the office needing Neal to walk him through a jailbreak. Oh my word, that was awesome. From Neal running around the office building a mock-up of Peter's cell, to Peter proving just how fantastic and capable he is in a pinch by following - and more importantly, trusting - Neal's instructions and nailing his kidnapper, the role-reversal was a great cap to what is probably my favorite episode of the series yet. It was also nice to see Neal validate Peter's faith in him and prove his worth to the teamAND to have all of the above acknowledged by Reese.
*This show really needs to give Clinton Jones (Sharif Atkins) a little more to do. When subordinate FBI team members get screen time, the bulk of it seems to fall in favor of Diana - and she's a great character, but that tendency unfortunately makes poor Jones occasionally seem a bit superfluous.
So, all's well that ends well this hour as Peter gets to be daring and brave and dashing in the field and Neal gets to play the part of heroic and stalwart consultant/agent. And they hug at the end of the episode. THEY HUG. I can't let this overly-long blog end without mentioning the hug, because it was freaking awesome. I don't believe Keller is due to return this season, but I am oh so happy that the showrunners are setting him up as recurring Neal's nemesis. As I suggested to Rachel, Keller disappearing on the streets of New York is like Moriarty to Neal's Sherlock. The moment where he accuses Neal of "sounding like a lawman" was PRICELESS, moreso since Neal didn't refute the claim. My darling hero is more and more accepting of a future on the right side of the law. And while his methods are sure to remain unorthodox, I can't wait to see where this ride takes Neal, Peter, and company next. With superb writing and clear affection for these characters I've fallen in love with, White Collar is on fire story-wise - if you've never watched this show, what on earth are you waiting for? :)
Just because I love Neal, and I love Neal in suits, and I really adore Neal in vests too, here's another gratuitous Matt Bomer pic from the episode:
Here's a few scene clips from "Payback" that I found on White Collar's YouTube channel:
So, if you're friends with me on Facebook it is probably hard to avoid the fact that I'm a little obsessed with the TV show White Collar. In case you missed last night's status update gushing, last night's episode was a whole lotta awesome, topped off by a fantastic moment where Neal (a.k.a. Matt Bomer) sings "One for My Baby" with June (a.k.a. Diahann Carroll). Unfortunately I can't find that clip on YouTube, but when you search for things like "Matt Bomer singing" you come across little gems like this (just ignore Matt's momentary swearing at the very end of the clip when he realizes he's been recorded). I just love the fact that Matt knows the lyrics to "Love is a Many-Splendored Thing." :) I'm gonna go swoon, again...