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Mrs. Patmore (a.k.a. Lesley Nicol) is coming to Once Upon a Time! Here's a sneak peek:

Downton Abbey Series 3, Part 5

This week's installment of Downton Abbey was in many respects all about recovery, as inhabitants both upstairs and down attempt to recover from the reeling blow of Sybil's sudden death. As such in many respects this episode is arguably as emotionally difficult to watch as its predecessor, as family members respond to grief in different ways -- either bringing them closer, or threatening to fracture once-strong bonds. But peppered throughout the episode are moments of unexpected warmth and humor, a welcome solace as each character strives to find their footing once more.

The episode opens with the last of the mourners motoring away from Downton, leaving the family alone in their grief and struggling to adapt to this "new norm." The icy chill that developed between Robert (Hugh Bonneville) and Cora (Elizabeth McGovern) following the former's insistence on acquiescing to the dictates of the aristocratic doctor, who in the end misdiagnosed Sybil, has only grown more pronounced. Robert is basically a mess this season. I really do believe that at his core he is a good and decent man, but where that frustrates, and where things go wrong, is in those very qualities that made me fall in love with him in the first place. Robert's goodness and decency spring from a deep-seated love for and adherence to TRADITION...and in a rapidly changing world, and on multiple fronts, Robert is constantly being assaulted with the demand to change, which he resists with all his might -- which I think in his mind probably involves lowering his standards. In that respect I think Fellowes has successfully scripted the Earl as very much a product of his times -- a good man caught between his desire to uphold tradition, honor the past, and grappling with a shattering, unspoken fear of change.

Cora has never seemed more quintessentially American to me than this season, where she regularly reveals a warmth and a proclivity and willingness to adapt to life -- qualities that, if she'd been allowed her way, possibly could have saved her child. While given the time in which Sybil lived and her advanced symptoms rendered survival unlikely, even if Dr. Clarkson (David Robb) had been able to perform a C-section, that is of course small comfort to a broken-hearted mother. What is SO difficult to watch play out in this episode is how Cora and Robert's split impacts their family, leaving Mary and Edith (Laura Carmichael) in particular grieving not only a sister but a severe rupture between their parents. To Robert's credit he recognizes that there is just cause for Cora's feelings -- and Bonneville broke my heart with his quiet acceptance every time Cora spurned a tentative overture.

Help for Cora and Robert's marriage comes from a surprising quarter -- Violet (Maggie Smith), more well known for her sarcastic comments instead turns her keen eye and considerable influence in an attempt to mend her son's marriage. I absolutely LOVED the scene where Robert seeks his mother's advice -- it is the closest we've ever come to seeing Violet as a caring, vulnerable parent. And while there were no hugs or tears on either side (heaven forbid!), the restrained emotion of the moment was brilliantly played by both. Violet turns to Dr. Clarkson, basically telling him that Robert's marriage problems were his fault (didn't it feel that way?) -- but her instincts were right on target. Recognizing that Robert and Cora need each other if they are to survive this, she instructs Clarkson to research Sybil's condition, hoping that the unlikelihood of her survival will remind both Robert and Cora that they had rather unite and share their grief than take sides over what-ifs.

Branson (Allen Leech) is reeling in the aftermath of Sybil's funeral, which only exacerbates his outsider status. Branson has some (to my mind) completely reasonable plans for his daughter's immediate future, the first being naming her after her mother and the second having her baptized a Catholic (seeing as he is one, this makes sense) -- both of which scandalize Robert to no end. The name thing I don't get AT ALL and honestly it felt more than a little crass to have Robert raising objections on that score. The tendency to view Catholics as second-class citizens, however, was a very real issue during this time period. I loved how Robert invites the vicar to dinner in some sort of misguided attempt to sway the family to his side, and EVERYONE ELSE takes Branson's side and calls the vicar out on his prejudiced views. That was fun...and really, at this point, let's try to have some perspective here, Robert -- at least your son-in-law has some sort of faith and value system he's attempting to adhere to when it comes to his child.

There are rather vague mentions of Branson "doing something" in Liverpool, which we all know is total bunk, right? Because if Leech decides to leave the show at some point I am pretty sure the odds are 2-to-1 that Branson will die instead of just, say, emigrate to Australia or something. But WHATEVS, because I have the PERFECT PLAN for him! While rambling around Downton with Matthew (Dan Stevens), Branson reveals some surprising FARMING related knowledge! All this while Matthew is bemoaning the lack of tenants who will properly see to the upkeep of the land & buildings! But NO ONE puts two and two together here and thinks GOLLY! WE SHOULD GIVE BRANSON A DOWNTON FARM! That will keep him close by and give him something useful to do but GET HIM OUT OF THE HOUSE! Wins all around, right??? *wink*

In other news, Anna (Joanne Froggatt) is still working her darnedest to exonerate her beloved Bates (Brendan Coyle), hoping that Vera's BFF will admit she lied in her testimony to Robert's lawyer. I love Anna and Bates, but the whys and wherefores and hows of him still being in prison, and this random guard and his cell mate and Vera's BFF all working together to keep him there...I just don't care anymore. Did I quit caring too soon and miss something that explains HOW these three know each other? And why this guard would care enough to try and make Bates's incarceration even more miserable? For the LOVE this storyline has gone on too long. The only redeeming factors in this episode are 1) the moment when Bates unleashes his inner bad-ass and lays down the proverbial LAW for his cellmate and 2) the look on Anna's face as she shares the news that her husband is FINALLY COMING HOME. (Side note: I really love how Mary repeatedly asks about the progress on Bates's case...I really don't think that would've even been a blip on first-season Mary's radar. Also, how SWEET was that scene where Mary and Matthew reaffirm their never-ending love for each other?! Adorbs!)

Down the road from Downton, Isobel (Penelope Wilton) continues to bring scandal to the neighborhood by employing THAT EX-PROSTITUTE THAT CAN'T EVEN COOK, a.k.a. Ethel (Amy Nuttall). Now, hear this well because I don't know that I'll ever be able to repeat it...I actually kinda liked Ethel in this episode. Isobel was her usual smug, annoying self, but Ethel on the other hand -- she seems to be embracing this second chance at respectability with everything in her. Seeing her go to Mrs. Patmore (Lesley Nicol) for cooking "tutoring" was smart and funny, particularly when Carson (Jim Carter) discovers that Mrs. Patmore has flouted his orders and she responds by saying something to the effect of he's nuts if he thinks she's corruptible. *wink* Anyone else think Carson was going to have an apoplexy when he realized that when it comes to Ethel, Mrs. Hughes (Phyllis Logan) isn't on his side? This episode is all about girls uniting isn't it, lol!

The Robert/Cora "feud" comes to a head when he discovers that every female member of his family is eating lunch at Isobel's, EXPOSING THEM TO SCANDAL (dude, remember the Turk? your family doesn't have to leave the house to get scandalous). To the credit of every single Crawley woman, they refuse to shun Isobel and Ethel by leaving -- it isn't a question of accepting her past choices, but of offering a second chance -- THANK YOU CORA AND VIOLET. Personally I suspect Violet was secretly relishing any potential scandal, hmmm? *wink* If Ethel continues along this path of holding her head high and refusing to be cowed, of smartly seeking ways to better herself and her chances...girl, we could become friends. I'm just sayin'.

My favorite storyline in this episode involved Daisy (Sophie McShera) and the romantic will they/won't they entanglements brewing among the younger members of the downstairs staff. Alfred (Matt Milne) is still crushing on Ivy (Cara Theobold), while she keeps making eyes at Jimmy (Ed Speleers). Quick side note here -- the way O'Brien (Siobhan Finneran) keeps encouraging Thomas (Rob James-Collier) to make romantic overtures toward Jimmy is just AWFUL. This cannot end well. *sigh* Anyways, back to the fun drama -- I had a thought, when Mrs. Patmore tells Daisy & Co. that they are all in love with the wrong people, do we think there might be a possibility that Jimmy has eyes for Daisy? I'm wondering if this is a possibility, since he seems rather *ahem* attentive when she compliments him on his piano playing, and seems rather eager to demonstrate the fox trot for Alfred by dancing with Daisy. Thoughts? If this is a possibility I could sort of get behind this...

But Daisy has other decisions to make besides romantic ones -- her father-in-law, Mr. Mason (Paul Copley), once again invites her to his farm for the day. While there he surprises her by sharing that he would like to make Daisy his heir, leaving her his tenancy, farm equipment, and savings. Between the land and a side business cooking she could do quite well for herself. I LOVE how Mr. Mason has adopted Daisy since William's death, as goodness knows she needs some family and sound advice. This is a fantastic opportunity for her, and while I would hate to see the dynamic duo that is Mrs. Patmore and Daisy broken up, I love the fact that she has this chance. :)

Looking forward, I cannot wait to see how Ethel's writing pursuits play out. :) And I LOVED Mary in this episode -- she seems to finally be striking a balance between protecting and idolizing her father and realizing that some change is necessary, inevitable, and even good. This was a very strong installment for Daisy and Ethel, and a fantastic showcase for the inimitable Maggie Smith's dramatic range, as she revealed the all too rarely seen softer side of Violet. Please chime in with your thoughts! :)

• Read my recap/review of Series 3, Part 4
• Read my recap/review of Series 3, Part 3
• Read my recap/review of Series 3, Part 2
• Read my recap/review of Series 3, Part 1
• Purchase Series 3 on Blu-ray/DVD
• For a limited time, watch Part 5 online at PBS

Downton Abbey Series 3, Part 2

Downton Abbey continued with part two of its Masterpiece run last night, and thank goodness it was only an hour long installment because this episode was packed. And AWESOME. This is Downton at its best, for me at any rate -- absolutely insane drama at lightning-fast speed. *wink*

The Crawley family is in the throes of planning its second wedding in what -- a month? -- as Edith (Laura Carmichael) is determined to marry Sir Anthony Crazy Eyes Strallan (Robert Bathurst). NO ONE except Edith thinks this is a good idea, but the family all seems resigned to letting her push ahead with her grand plan to become Lady Strallan. But a pall even worse than gaining a sap for a son-in-law hangs over Downton, and particularly Robert (Hugh Bonneville), as the family must face putting the beloved estate up for sale. Robert is loathe to see his financial and leadership failures exposed to the world, but he's resigned himself to his family's fate, even if Mary (Michelle Dockery) hasn't, because her stubbornly MORONIC husband refuses to save the family home. *headdesk* The family decides to take a picnic to "Downton Place" which is far from a shack...but it's all about perspective, isn't it? *wink*

To her family's everlasting credit, they are attempting to celebrate Edith's big day and encourage her as she marries Sir Anthony, even though the marriage is virtually, universally frowned upon. For all that Edith suffers from "middle child syndrome," if you will, when compared to the glittering Mary or the unconventional Sybil (Jessica Brown Findlay), good friggin' GRIEF does she ever deserve better than marrying to become (as Violet so eloquently puts it) "an old man's drudge" (and keep in mind, I will be ALLLLL about a well-written May/December romance, as long as one of the parties involved doesn't give me the creeps!). I mean I GET that nearly all of the young men in Edith's social circle died in the war. I GET that Anthony gives her the time of day. But a mutual love of motoring is only going to take a couple so far... :P

So while Edith is all in la-la land getting ready for her marriage and a lifetime of having Sir Anthony as her own special "project," the rest of the family copes with the reality of having to leave Downton while downstairs health scares and personal rivalries take center stage. After two seasons of seeing O'Brien (Siobhan Finneran) and Thomas (Rob James-Collier) as allies in their shared quest for world domination and desire to spread pain and suffering where ever they go, they are finally on the outs...and people, I LOVE it. Last week saw O'Brien abscond with Robert's dress shirts in retaliation for needling her nephew, making Thomas (as his valet) look the fool. This episode saw Thomas up the ante and use poor, gullible Molesley (Kevin Doyle) to start a rumor that O'Brien was leaving Downton. When Cora hears this "news" through back channels she's understandably put out that her ladies' maid wouldn't confide in her -- and this leads to all sorts of awkward moments for O'Brien. She's so rarely off-kilter. *wink* (I actually felt kind of bad for poor Molesley, unintentionally running afoul of O'Brien!)

Matthew (Dan Stevens) continues to be a complete ass about the fact that he's due to inherit money from Reggie Swire, the man who would have been his father-in-law if that silly twit Lavinia hadn't up and died last year. :P Lavinia, to her credit, was more than gracious about the whole Matthew-is-still-in-love-with-Mary mess, and for goodness' sake she died from THE FLU. It isn't as if she wasted away solely through her own (lack of?) willpower. So for approximately three-quarters of this episode Matthew is a complete jerk about the fact that Reggie wanted to leave him his estate, apparently relishing the chance to wallow in self-loathing and guilt over how he shouldn't accept the money because of Lavinia. Dude, Lavinia DOESN'T care!!! *sigh* I know Mary can have something of a reputation for being difficult and cold, but goodness I wanted  her to smack Matthew upside the head so. BADLY. All things told, the new bride handled her husband's idiocy with real class IMO.

Downstairs, aside from the O'Brien/Thomas "war," the most compelling storyline involves Mrs. Hughes (Phyllis Logan) anxiously awaiting the biopsy results from Dr. Clarkson (David Robb). I really enjoy the layers this test has revealed not only in Mrs. Hughes' character, but the warmth of the friendship that she shares with Mrs. Patmore (Lesley Nichol). Mrs. Hughes' worry and fatigue become increasingly difficult to hide from the ever-vigilant Mr. Carson (Jim Carter), who first attempts to discover the cause from Dr. Clarkson (props to Clarkson for actually -- surprisingly? ha!! -- respecting doctor/patient confidentiality), and then wheedles the truth out of poor Mrs. Patmore. His worry for Mrs. Hughes just KILLED me...please, if they retire or something can they PLEASE PLEASE PLEASE get married Julian Fellowes? Because that would rock my world. I love how he goes to Cora on Mrs. Hughes' behalf, and then Cora calls her in and is all DON'T WORRY ABOUT A THING, WE WILL TAKE CARE OF YOU NO MATTER WHAT. I was close to tearing up right along with Mrs. Hughes -- particularly in that day and age, where she sacrificed the chance to make her own family for a career at Downton, when facing a cancer diagnosis she must've struggled with feeling so alone! HUGS ALL AROUND! And well done, Cora. :)

Edith and the Wedding of DOOM

So...Ethel's WEDDING EVE OF DOOM is upon Downton, and Sir Anthony has this horribly awkward conversation with Robert, where Robert, to his credit, doesn't tell Anthony what he's REALLY thinking (i.e., that Strallan is too lame to be his son-in-law). One gets the feeling Anthony is making Robert re-think Branson's (Allen Leech) suitability. *wink* Fast-forward to the next day, and the Crawley women all share a pre-wedding bonding moment, and then Edith makes her grand entrance -- and oh it kills me that she's so excited about this, because Anthony looks like he's going to throw up and she looks FAB. Seriously, wasn't her wedding dress amazing?! About this time I commented we have a runner -- and Sir Anthony Crazy Eyes does not disappoint, delivering perhaps one of the most awkward jilt-the-bride-at-the-altar scenes ever caught on film. LAME LAME LAME. Poor Edith is in understandable shock, but Violet (Maggie Smith) seizes the day -- and her comments about letting him go and it's all for the best -- AT THE ALTAR!! -- cracked me up. Vintage Violet moxie, that. *wink*

in hindsight, a portent of doom?

I predict that Anthony ends up dead if not by the end of this season, then before the end of the show. He is going off the RAILS, I can feel it!! :P I'd like to propose this scenario: Anthony runs his car off a bridge or something, because he can't stand that he's become SO LAME, and leaves all his money to Edith. Edith (who doesn't have compunctions about accepting odd and convenient inheritances like Matthew) takes the money and RUNS and goes on a grand European tour, where she takes up writing poetry. Somewhere in France or Italy or someplace AMAZING she meets an exiled Russian nobleman who had the foresight to put all of his money in a Swiss bank. They fall in LUV and Edith happily sticks it to her ENTIRE FAMILY by lassoing a HOT RUSSIAN PRINCE. The End. :)

Edith's heartbreak leads to a really touching scene between Cora and her oft-overlooked middle child -- people, that scene is why I love Elizabeth McGovern. She rocks. Cora doesn't often get the opportunity to show her "motherly" side, so it was refreshing to see her cast in the role of comforter here. I am quite excited to see where Fellowes takes Edith's storyline in the rest of this season and the next. Methinks the girl could do with a bit of scandal and genuine drama in her life. Mary and Sybil have carried the balance of that far too long. *wink*

Running parallel to the wedding prep and drama, Mary bites the proverbial bullet and -- against Matthew's express wishes -- reads his final letter from Reggie, wherein Matthew receives the man's full blessing. Of course Matthew is still an ass about it all and Mary actually has to go to the SERVANT'S QUARTERS to find out who the heck could've mailed a letter from Lavinia on her DYING DAY. LET IT GO MATTHEW, FOR THE LOVE LET IT GO!! But finally, after what, fifty-five interminable minutes of Matthew whining, he  takes the money and runs and puts Robert out of his misery -- with a twist. Robert insists that they in effect become "co-masters" of Downton, with Matthew's money being treated as an investment. Like this join chairmanship thing is gonna go down without any drama... :P

gratuitous Bates looking hot shot

In other news, Anna (Joanne Froggatt) goes all Miss Marple on the Bates case and interviews the last woman to see Vera alive. Of course this "witness" was Vera's BFF, who patently hates Bates and goes so far as to describe Vera in saint-like terms. Give me a break. I did rather enjoy seeing Bates (Brendan Coyle) manage to foil his cellmate's attempt to frame him by concealing a weapon in his bunk. Bates, m'dear, you are a badass. Love it. :) And in news I care absolutely nothing about, Isobel (Penelope Wilton) hunts down Ethel (Amy Nuttall), who has shown up at her wayward women reformation project multiple times, only to change her mind and run off at the last minute. WHY OH WHY is Ethel still on this show? Has she had another kid? Didn't she give her kid to random soldier father's parents? I don't even care enough at this point to look it up. :P

In the aftermath of Edith's wedding debacle, I thought it was quite touching to see the family and servants rally around the heartbroken daughter. I loved how during the servants' meal, where they got to eat all of the wedding food, Mr. Carson caved and "allowed" them to speak poorly of Stupid Strallan. *wink* I loved Daisy (Sophie McShera) in this episode, and how she's determined to become more outgoing in an effort to further her career and catch the eye of Alfred (Matt Milne), the new footman. When he asked her to play checkers and she had to say no I might've kinda screamed at the television. They could be SO CUTE together!!!

This installment concludes with perhaps one of my favorite scenes in Downton Abbey to date -- Mrs. Hughes returning to the house with the news that she is cancer-free. She lets Mrs. Patmore break the news to the anxious Mr. Carson, who is then so happy he starts singing while he works. SINGING. Carson. SINGING. That moment was utter perfection. :)

I absolutely loved this episode of Downton, precisely because it was so insanely wild. :) Good times, people, good times. Here's to next week's installment!

• Read my recap/review of Series 3, Part 1
• Read Laurel Ann's recap of Part Two at Austenprose
• Pre-order Season 3 on Blu-ray/DVD
• Watch Part Two online at PBS through 3/3/13

Downton Abbey, Part One (The Servants)

Downton Abbey is so broad and epic in scope that I just couldn't squeeze a review of all of the characters and plot lines found in Part One into one blog post. (There are worse problems I could have, I know. LOL!) My first review of Part One focused on the Crawleys, the wealthy family who calls Downton Abbey their home, and the succession crisis they face when the heir is lost when the Titanic sinks. As a refresher, here is the portion of the Part One summary that focuses on the plot points specific to the servants who keep Downton running:

As the drama unfolds among the aristocrats of Downton Abbey, changes are happening amidst the servants as well. John Bates has arrived as a new valet for Robert, but he has a pronounced limp, potentially making him unfit to perform his duties. Also, Bates seems to have some previous link to Robert, and a murky past. And, someone else in the servant's quarters is darkly entangled with the fortunes of the family he serves.



Bates

Thus far my favorite "downstairs" character is John Bates, played by the wonderful, marvelous actor Brendan Coyle. Coyle really excels at playing middle class characters (for lack of a better term) who are hard-working, good men, full of heart and nobility. One of Coyle's most famous roles is probably as mill worker Nicholas Higgins in North and South (Oh those scenes with Richard Armitage! I loved their unlikely friendship!). He's also appeared in Lark Rise to Candleford and the Masterpiece Mystery series Jericho (sadly playing a villain in the latter!). Bates is going to be a fascinating character. He suffered a debilitating injury in the Boer War, and thanks to the Earl's willingness to take him on as a valet he is fiercely loyal and heart-breakingly long-suffering. Because of his preferential status with the Earl, despite the fact that his war wound limits some of the duties he can perform, Bates's presence causes instant division below stairs. 


Anna

Bates has one ally in the form of Anna, the head housemaid played by Joanne Froggatt. Longtime blog readers may remember my rants against Froggatt when she appeared in the final season of Robin Hood, but I'm happy to report that so far I love Froggatt's character in Downton Abbey. Not only does Anna have the good sense to develop feelings for Bates, but Froggatt portrays her character with a real warmth and appealing vulnerability. I hope, I do so hope that whatever secrets lie hidden in Bates's past don't prevent a romance with Anna from developing below stairs, because Coyle and Froggatt have the makings of an adorable on-screen couple.


Mr. Carson



Mrs. Hughes

It would be easy to assume that Downton Abbey's servants would care little for the social machinations of the aristocrats they serve. But during this time period, servants often felt a fierce loyalty towards the families they served - often for their entire adult lives - and there was as much competition for primacy of place among the servants as among their upper-class counterparts. This quality is perhaps best embodied by Mr. Carson (Jim Carter), the butler, and Mrs. Hughes (Phyllis Logan), the housekeeper. Carson has been in service at Downton since his youth, longs for the way things were prior to the entailment issue, and he places a high emphasis on order and tradition. The Crawleys, though they would never recognize it, are his family, a sacrifice he has determined is worth an price to his personal life. Carter should be quite familiar to Masterpiece fans - he played Captain Brown in both series of Cranford. Mrs. Hughes embodies everything I'd imagine a housekeeper of the period to be - she's highly competent, moral, and seems fair. She and Carson share a fascinating exchange when she essentially asks him if he believes a life in service is "worth it." Though she would most likely never admit to possessing doubts, it's a telling moment that hints at the resolve and sacrifice necessary to rise through the ranks in service at a great estate like Downton.

Daisy

O'Brien

Among the serving members of Downton's household, there's bound to be "troublemakers" - servants who are either bitter and dissatisfied with their lot, power-hungry, or outright mean. Chief among the latter is Lady Cora's maid O'Brien, played by Siobhan Finneran. O'Brien is, I suppose, the equivalent of an Edwardian "career woman." She sacrified all to rise through the ranks and achieve the coveted post of ladies' maid to a countess. She'll flatter her mistresses as needed in order to get her way, and drop poisonous barbs disguised as concerns into the ears of any and all who will listen. There were moments in Part One when I thought Finneran was quite chilling her performance was so convincing. O'Brien is fast becoming one of those filmic villains you love to hate. *wink*

Thomas

Gwen

Her main ally is Thomas, the first footman played by Rob James-Collier. Thomas's chief faults appear to be pride and self-importance, and he's bitterly resentful of losing the valet position to Bates, a lame war veteran. Thomas and O'Briens schemes to cast Bates as an incompetent had my blood boiling at various points throughout Part One, proving the world below stairs is every bit as cutthroat and intrigue-filled as the world above. Thomas's naked ambition masks the fact that he is a closet homosexual, who had a brief fling with a duke. Whether this fling involved genuine emotional attachment on his part or was a calculated power grab is not specified, but the crushing emotion Thomas exhibits in the scene when the duke rejects him hints at the forces that have molded Thomas into the cold, hard servant he is today. Personally I could've done without "the scene" between the duke and Thomas, and I do hope the series doesn't get more explicit than what was shown in Part One. I do think Thomas's character and the secrets he keeps may perhaps turn into one of Downton Abbey's strongest examples of the price of secrecy and lies - of course only time will tell if I'm correct. :)



Mrs. Patmore



William

The balance of Downton's staff is peopled with other characters who, while they may not have the main plot lines in Part One, are every bit as colorful and fascinating as their fellow servants. Mrs. Patmore, the cook, is played by Lesley Nichol. She is an absolute delight - outgoing and high strung, the woman appears to be a veritable whirlwind of activity. Nichol's face wasn't familiar to me, but when I looked her up on the IMDB I was delighted to discover that she played Mrs. Beaver in the old 1988 production of The Lion, the Witch, and the Wardrobe that I grew up watching on TV. The brunt of Mrs. Patmore's *ahem* stress is directed towards Daisy the scullery maid, played by Sophie McShera. Poor Daisy is well-meaning but quite the scatterbrain, a humorous but sympathetic character. I feel so bad for her because she's naively developing a crush on Thomas, and after the scene with the duke it's abundantly clear that crush is gong to go nowhere. So far she's completely blind to the fact that William, the second footman, has a crush on her. William is a bit of a goofball, but he seems like a sweet guy - he just seems a little too willing to be a doormat for the likes of Thomas. William is played by actor Thomas Howes, and this is poised to be a breakout role for him. I'm anxious to see where his character goes throughout this series. Finally, Gwen the housemaid, played by Rose Leslie is introduced. Her character gets relatively little screentime in Part One, but it's clear she's ambitious and has secrets that I look forward to discovering in the subsequent installments of Downton.

Once again I have to stress that the editing and writing for this series is brilliantly done (bravo, Julian Fellowes!). The way script and scenes cut back and forth between the Crawleys and their servants is seamlessly, resulting in a fast-paced, thoroughly engaging viewing experience. It drives home like no other movie I can think of at the moment the intricate balance and connection between wealthy families and the servants who make their lifestyle possible. The entailment issue that throws the Crawley family into turmoil does not exist in some sort of aristocratic vacuum. Anything that impacts the Crawleys matters deeply, to some degree or another, to each member of their household - and the servants are not shy about taking sides or forming their own alliances. The result is riveting television. I cannot WAIT for Part Two this weekend!

• Click to read Amber's thoughts on Downton Abbey.
• Click to read Renee's thoughts on Downton Abbey.
• Read Laurel Ann's review of Part One of Downton Abbey at Austenprose.
• Read my review Downton Abbey, Part One (The Crawleys).