Showing posts with label Felicity Jones. Show all posts
Showing posts with label Felicity Jones. Show all posts

Wednesday, May 5, 2010

The Diary of Anne Frank


The backlog of programs on my DVR is absolutely out of control. The latest adaptation of The Diary of Anne Frank aired almost a month ago on Masterpiece Classic, and I can't for the life of me believe I let this film sit, unwatched, on my DVR that long. Life happens, hmm? Friends, this is an extraordinary film, and if you missed it, or perhaps though I "know" the story, what can a new film possibly bring to the table - let me encourage you to set those thoughts aside and to make some time to watch this as soon as you can. If you need a "refresher," here's the film summary from the PBS website:

"When I write, all my sadness disappears."
Anne Frank in 'The Diary of Anne Frank'
For Jewish teenager Anne Frank (Ellie Kendrick), her diary is her one true friend and confidant. In it, she records the thoughts of a typical teen — only set against a backdrop of encroaching evil in Amsterdam during World War II. Stowed away behind a bookcase in a secret annex with her family and others to flee the Nazis, Anne experiences her time in hiding as an adventure. And, amidst closed quarters and random bomb blasts, Anne faces friction with family, a desire for independence and the first stirrings of young love. As Anne's identity solidifies, so does her resolve to be a writer — her diary a tangible and remarkable record of a young woman's first-hand observations of the Holocaust, and the innate goodness she still sees in people. Drawing on Anne Frank's own words in the most accurate-ever adaptation of the revered memoir, Masterpiece presents The Diary of Anne Frank on Holocaust Remembrance Day, 2010.
The Franks
Ellie Kendrick is an absolute revelation as Anne Frank. Not only does she bear an almost eerie resemblance to the real Anne, she does an extraordinary job of capturing the many facets of Anne's character. She's wise and immature, kind and selfish, brilliant and dense - in other words, a typical, complicated teenager just trying to figure out her place in an upside-down world. It's been several years since I've seen any of the other film adaptations of Anne's memoir, so I have only vague recollections and impressions of the performances. But going by feeling alone, I have to say Kendrick's Anne is the most alive, passionate, memorable take on the character. It's as if Anne has leaped from the pages of her diary to full, brilliant life. This may seem like a little thing, but as a cat lover it jumped out to me - in other films I can't recall a scene where Anne is forced to leave behind her beloved pet when the family goes into hiding. As a fellow cat lover I could so relate to that moment, that sacrifice on Anne's part - and that "little" thing just broke my heart on Anne's behalf. As the centerpiece of the film, Kendrick anchors the story with unbelievable strength and conviction - very, very well done.

Anne's father, Otto, is played by Iain Glen who may be a familiar face to Masterpiece viewers - he played Mr. Preson in Wives and Daughters (and he has an upcoming two-episode appearance in Doctor Who!). Glen's Otto is a noble, tragic figure, and an incredibly kind man. I found myself trying to imagine what it must have been like to be the only member of his family to survive the camps - and just trying to fathom that heartbreak leaves me speechless. Glen and Kendrick have a wonderful on-screen father-daughter relationship. Anne was definitely a daddy's girl, but this movie doesn't shy away from the fireworks her teenage "growing pains" caused her parents. Anne's mother, Edith, is played by Tamsin Greig who was most recently seen on Masterpiece Classic in the latest production of Emma, playing Miss Bates. Greig does a fantastic job here, showing Edith's struggles to come to terms with life in hiding, and her heartache over coping with Anne who is just at a place in her life when she wants nothing to do with her mother. Knowing how the story ends, that's just one more aspect of the film that will break your heart - it really got me to thinking about how we humans do tend to think we'll live forever, that we'll always have another day to change our minds about something or to make things right with another, and that's not always the case, is it? Felicity Jones plays the final member of the Frank family - Anne's older sister, Margot. I confess I almost didn't recognize her - hidden behind large round glasses and wartime hand-me-down clothes, Margot is a far cry from the vivacious Catherine Morland Jones portrayed in Northanger Abbey. Though the role of Margot isn't as "flashy" as Anne's, I was quite impressed with the long-suffering quality Jones brought out in the role.

The Van Daans
When the Van Daans join the Franks in hiding, both families find their patience sorely tested. Hermann Van Daan is played by Ron Cook, who some of you Masterpiece Classic fans may remember as Chivery (Russell Tovey's dad!!) in Little Dorrit last year. His wife, Petronella, is played by another familiar face - Lesley Sharp. She's appeared in everything from Return to Cranford (playing the not-so-lovely Mrs. Bell) to the classic Doctor Who episode "Midnight." It's funny, but Petronella Van Daan is one character I distinctly remember from the classic 1959 film version of Anne Frank. Shelley Winters was so memorable in the role, but I have to say Sharp really measures up in comparison - she's every bit as loud, and funny, and occasionally obnoxious as Winters ever was. ;-) Their son, the quiet and introverted Peter, is played by Geoff Breton. Breton hasn't appeared in all that much, but he was apparently in the Inspector Lewis episode "The Quality of Mercy" last season on Masterpiece Mystery. Sadly I don't remember his performance. :-( But he does make up for that here. The crush that develops between Peter and Anne is just heartbreakingly adorable. The whole time I was watching their relationship develop, I kept thinking - if they had survived, would they have married eventually? What might they have become? So, so much potential cut off all too soon - but so thankful that Anne left that diary and had a knack for bringing her life and the people who inhabited it to life on the page.

Everyone else...
Nicholas Farrell is an old favorite of mine, and he plays Albert Dussel, the dentist who joins the Franks and Van Daans after the two families have been in hiding for a while. Farrell is such a great actor, capable of conveying so much emotion in his performances. Some of my favorites include his turn as Antonio in Twelfth Night, Horatio in Kenneth Branagh's Hamlet, Torchwood: Children of Earth, and Collision (from Masterpiece Contemporary last year). He's also appeared in various random episodes of mystery shows like Poirot and the stellar Robert Lindsay vehicle Jericho. It has been so long since I've watched this story I honestly don't remember Dussel's character at all. Farrell does a good job driving home how much of an outsider he must've felt like as a single man living with two complete family units.

And two final quick notes on the acting - the Franks' faithful friend and caretaker Miep Gies is played by actress Kate Ashfield, who incidently was also an alum of Collision. Also, friend Bep Voskuijl is played by Mariah Gale, who was just seen on Great Performances opposite David Tennant as Ophelia in Hamlet. More on that show, and her performance at a later date. :)

Kudos to the production team and director for delivering a fast-paced, thoroughly absorbing film. The way the movie is staged, you end up feeling clausterphobic as the attic's inhabitants must have felt. Close quarters with never a break - how could you not want to snap? Yet there was no other choice, and in the end I can't think that I would've been able to handle what these people did half so well. Gritty, realistic, inspiring, and incredibly moving, this adaptation of The Diary of Anne Frank is not to be missed.

Sunday, February 21, 2010

Northanger Abbey revisited


Since Northanger Abbey was rebroadcast last week on Masterpiece Classic, I thought it might be time to pull out my DVD and revisit the film and my initial impressions of it. I originally reviewed the film in January 2008, when it aired as part of the Jane Austen season on Masterpiece. So without further ado, here's my original post on the movie:

"Perhaps after all it is possible to read too many novels."— Henry Tilney in Northanger Abbey

Time to rehash Northanger Abbey, and no surprise here, but I LOVED it. It's got everything going for it - a smart script (courtesy of the inimitable Andrew Davies), excellent direction and pacing, and a spot-on, practically perfect cast all giving sparkling performances. This is the first film adaptation of this story that I've seen - and while I have nothing to compare it to movie-wise, I have a feeling that it is leaps and bounds better than the previous BBC version.

At the moment I'm feeling too lazy to write a decent summary of the story, so thanks to Kaye for letting me borrow her version.

The daughter of a country clergyman, Catherine Morland has a passion for gothic romance novels and a vivid imagination. She gets the opportunity to go to Bath for the season with family friends. While in Bath, she makes the acquaintance of the Thorpe family, specifically Isabella, who is engaged to Catherine’s brother, and John. Isabella teaches Catherine the fine art of flirtation, and soon John is showing romantic interest in Catherine.

Catherine, however, isn’t interested in the wild John, but in the quiet Henry Tilney. Henry’s father, General Tilney, under the misinformation that Catherine is wealthy, invites Catherine to come spend some time at their ancestral home, Northanger Abbey. The Abbey answers all of Catherine’s gothic imaginings; and as soon as she arrives, the fun begins.


Felicity Jones delivers a wonderful performance as the highly imaginative Catherine. Her wide-eyed ingenue is wholly believable (and, wonder of wonders, I didn't find her annoying...LOL). The scenes where her imagination gets caught up in some outlandish, Gothic romance are hilarious and oh so much fun to watch.

Catherine's friend, the flirtatious Isabella Thorpe, is played by Carey Mulligan - she's an actress to watch IMO. She played Kitty Bennett in the 2005 version of Pride and Prejudice, as well as appearing in Bleak House and the forthcoming My Boy Jack (co-starring Daniel Radcliffe, to air on Masterpiece Theatre later this year). She reminds me a bit of Romola Garai (most recently seen in Atonement), who I tend to like, but occassionally gets on my nerves by coming off as rather vapid. I like Mulligan...she always seems to have a great deal of spunk and sparkle in her performances.

Our hero, the noble Henry Tilney, is played by JJ Feild. I love JJ (yeah we're on a first name basis like that...LOL...in my dreams, I know, I know...) and thought he was perfectly cast for this role. He struck a nice balance between the serious and the teasing as regards his relationship with Catherine. JJ's got a slightly nerdy edge to him, but that just makes him all the more endearing, doesn't it? He's also going to be an actor to watch...he's appeared in The Railway Children (made quite an impression on me even then, LOL!), Poirot: Death on the Nile, The Secret Life of Mrs. Beeton, and Ruby in the Smoke.

The director, Jon Jones (also directed Mrs. Beeton) is to be applauded for his work - the pacing of the film was excellent. I loved the costumes and sets - the shots of Northanger Abbey were wonderful, with a deliciously creepy feel. The camera work and lighting all succeeded in striking the right balance between Catherine's imagination and reality - the Abbey scenes and just enough of a suspicious feel that Catherine's imaginings don't seen entirely unfounded. And I loved the score & main theme by Charlie Mole - he also scored Mrs. Beeton, as well as An Ideal Husband and The Importance of Being Earnest. His work succeeds in striking the right balance between suspense and the comic elements of the story.

My one very slight quibble is with the ending...it seemed a tad abrupt. Of course, that's probably due to the restriction of a ninety-minute running time. Also, I would've much rather ended on a picture of Henry and Catherine, instead of old man Tilney, but that's just a personal preference (LOL). Other than that, which I really wouldn't classify as a complaint at all, I thought this film was just about as perfect as can be. It strikes just the right tone and pace in bringing to life Austen's gentle parody of the Gothic fiction so popular in her time.

The DVD of Northanger Abbey is available for purchase here.

***I will say this, my opinion of Romola Garai as an actress has improved somewhat since I wrote this post back in 2008! ;-)

Sunday, February 14, 2010

Northanger Abbey encore


Just a reminder, if you haven't seen the latest film adaptation of Jane Austen's Northanger Abbey, PBS is airing an encore presentation tonight on Masterpiece Classic. I thoroughly recommend this film, it's so much fun - plus, JJ Feild plays the hero! *swoon* :) Here's a bit about the story from the PBS website:

Catherine Morland (Felicity Jones, Meadowlands) has an ordinary life and a feverish imagination. When she gets invited to Bath, Catherine is immersed in a world of elaborate balls and handsome men. When one suitor takes her to his family estate, Northanger Abbey, Catherine becomes mired in a world of fact and fantasy. Is there a dark mystery behind the locked doors of Northanger Abbey? Why has her budding romance suddenly been cut short? Also starring JJ Feild (The Secret Life of Mrs. Beeton), Andrew Davies adapts Austen's gentle parody of gothic fiction.