Showing posts with label David Haig. Show all posts
Showing posts with label David Haig. Show all posts

Sunday, January 2, 2011

My Boy Jack revisited

I originally reviewed My Boy Jack back in April 2008 on my old blog when it first aired on Masterpiece. I'm keeping my original review intact with only a few extra comments thrown in. :) This film had a powerful impact on me when I first saw it, and I want to keep that "documented" on this blog, I guess you could say.


I knew I was probably going to cry when watching My Boy Jack last night. War movies tend to have that effect on me. I’d read enough about the story and the Kiplings online to realize that this film wasn’t going to end happily. However, I didn’t expect to respond to the film on the deep, personal, gut-wrenching level I did last night. I didn't expect to weep, tears dripping down my cheeks. I didn't think that somewhere along the line, Jack Kipling would become my friend Christopher, who died a little over four years ago, just shy of 23 (Edit: Make that over six years now...wow, that blows my mind just thinking about the passage of time! Miss you, Chris.). I've been prompted to mull this film over off and on today - I can't "shake it" because it was much more personal and thought-provoking, deserving much better than the label of entertainment. My Boy Jack was much, much more than a war story, or a biographical film – it drove home the unspeakable tragedy of lives gone too soon, cut short by the likes of war, illness, or accident, in a fresh, deeply personal, way.

My Boy Jack is a perfect example of Masterpiece Theatre programming at its finest. The script, direction, and acting are all superb. The film is based on the play MBJ written by David Haigh, who portrayed Rudyard Kipling on stage as well as in the film. I believe the fact that Haigh wrote the source material and adapted his own play for the script helped his passion for the subject matter translate to the screen. He also bears a striking resemblance to Rudyard Kipling himself:


The film definitely renewed my interest in Kipling's writing. I read The Jungle Book back in college as part of my Victorian Children's Lit class cirriculum and loved it. The man was a gifted storyteller and MBJ does a wonderful job of bringing out Kipling's childlike enthusiasm for storytelling and adventure. The juxtaposition of Kipling's enthusiasm for his stories and life make the tension in his family and the pain felt over Jack's loss almost unbearably poignant.

Kim Cattrall as Carrie Kipling was an absolute revelation. I'll admit going into the production that I thought she would be the show's "weakest link." However, I found her performance absolutely riveting and as the show progressed, completely and utterly convincing. Her strength, determination, and grief over Jack's loss is heartbreaking to witness.

Carey Mulligan played Jack's sister Elsie. I think this is her most impressive performance to date (she's previously appeared in Bleak House and Northanger Abbey, to name a few). She doesn't have all that much screen time, but when she's present she leaves an impression. I've said it before but it bears repeating - hers is a career to watch. (Edit: I had no idea how right I'd be about Mulligan's career when I typed that statement in 2008. If you've never seen An Education, check that movie out at the first opportunity. You can read my review here.)

And last but definitely not least, Daniel Radcliffe gives a fantastic turn as Jack Kipling. My Boy Jack is Radcliffe's first television role since his film debut as the young David Copperfield in the 1999 Masterpiece Theatre production. Now that's he's forever linked to his role as Harry Potter, seeing him playing any other character takes a bit of getting used to. However, MBJ proves to be a great vehicle for Radcliffe, and the project and his costars gave him ample opportunity to develop his acting chops. (Edit: Radcliffe has just gotten better and better acting-wise, hasn't he? I thought he did a fantastic job in part one of Deathly Hallows, and once his Potter career closes I look forward to seeing what other projects he pursues - I hope he doesn't rule out further Masterpiece appearances!) He also bears an eerily striking resemblance to John Kipling:


As Jack Kipling, Radcliffe radiates a strength and willpower far beyond his years, but balances that with glimpses of doubt and uncertainty. Jack appears to have been a bright, extraordinarily determined young man, who had multiple opportunities to avoid serving in the army thanks to his cripplingly poor vision. However, he refused to accept any limitations and when his father's influence resulted in a commission in the Irish Guards, Jack worked hard to distinguish himself and earned the respect of his comrades-in-arms. Jack's death is a tragic example of the potential lost when an entire generation of young men were practicually wiped out in the trenches of World War I.

One of the many reasons this film is so extraordinary and thought-provoking is that it doesn't take sides when it comes to the issue of war. Particuarly in these times, and in the hands of the wrong writer or filmmakers, My Boy Jack could have been turned into some sort of propaganda piece. Thankfully, this film doesn't go there - instead, it's a film about family, patriotism, loss, and the horrible, wrenching cost of conflict.

Like Jack Kipling, my friend Chris was an extraordinarily gifted young man whose life still feels like it was cut short far too soon. As I watched My Boy Jack, I found myself grieving anew for Chris and for those who are snatched by death at far too young an age, setting the world upside-down as parents are forced to mourn their children, and uncalculable potential is lost. Rudyard Kipling, filled with self-recrimination after Jack's death, wrote "If any question why we died, tell them, because our fathers lied." There are no easy answers, but I was reminded in a fresh and powerful way that while life is hard, my God is sovereign...and I am thankful I have Him to trust in.


"My Boy Jack"
By Rudyard Kipling

"Have you news of my boy Jack?"
Not this tide.
"When d'you think that he'll come back?"
Not with this wind blowing, and this tide.
"Has any one else had word of him?"
Not this tide.
For what is sunk will hardly swim,
Not with this wind blowing and this tide.
"Oh, dear, what comfort can I find?"
None this tide,
Nor any tide,
Except he didn't shame his kind
Not even with that wind blowing and that tide.
Then hold your head up all the more,
This tide,
And every tide,
Because he was the son you bore,
And gave to that wind blowing and that tide!

Saturday, January 1, 2011

My Boy Jack Encore


Tomorrow Masterpiece Classic kicks off its new season with an encore presentation of the stellar drama My Boy Jack. If you've never seen this production, it is not to be missed. Here's a brief story summary:
See an encore presentation of My Boy Jack, Sunday, January 2, 2011, on MASTERPIECE CLASSIC. Patriotism is high in the early days of WWI, and British writer Rudyard Kipling (David Haig) is one of its most passionate voices. John "Jack," (Daniel Radcliffe) Kipling's only son, is eager to see war up close despite his poor eyesight and the concerns of his mother Carrie (Kim Cattrall). My Boy Jack offers an intimate portrait of a nation at war and one divided family.

Friday, April 9, 2010

The 39 Steps


A couple of weeks ago now, Masterpiece Classic aired the newest adaptation of The 39 Steps, based on the novel by John Buchan. Here's a bit about the storyline from the PBS website:
"A prehistoric boor and an unhinged hysteric. Hardly a marriage made in heaven." Richard Hannay and Victoria Sinclair in The 39 Steps

Newly returned to England on the eve of World War I, Richard Hannay's (Rupert Penry-Jones, Persuasion) listless London life is about to spiral out of control. When a neighbor bursts in with a top-secret notebook full of cryptic codes and a frantic story of an impending assassination, unlikely patriot Hannay is soon on the run to save himself and his country. He bumps into feisty suffragette Victoria Sinclair (Lydia Leonard), and while their fates may be intertwined, their personalities aren't. But like it or not, they'll together navigate murder, betrayal and near death in order to untangle a plot of national importance, and understand the charms and challenges of human nature. A bracing and romantic thriller, The 39 Steps is based on the novel by John Buchan.
Now, I've yet to read Buchan's novel, and I have only the vaguest memories of seeing what is perhaps the most famous film adaptation of this story - the 1935 Alfred Hitchcock film starring Robert Donat and Madeleine Carroll. In general being a fan of Hitchcock's work, I remember enjoying it, but that's about it. That said, I feel like I was able to come to this film with no expectations - and I thoroughly and completely enjoyed it. First of all, as far as Masterpiece and British film in general goes, it's got a unique and fresh setting - it's quite rare (in my experience, anyway) to find films set during the World War I years. Everything from the history to the clothes and sets is feels fresh and makes for absorbing viewing.

Of course it's hard to argue against Rupert Penry-Jones being the film's biggest draw. Anyone who has read my review of Persuasion can probably guess that I'm a fan. :) I think you'd be hard-pressed to find an actor more suitable to play Richard Hannay and make the transformation from languid, bored aristocrat who is pushed quite unwillingly into the high stakes world of international espionage. It would almost be enough that RPJ wheres a tux for a good part of the film, and I don't think I can even begin to talk about the shirtless scene halfway through the movie without starting to drool and mumble incoherently. That was a gift, thank you BBC. ;-) But in addition to all that, RPJ reveals quite a knack for light comedy. Had no idea he had that in him after seeing his much more serious turns in Persuasion and MI-5. Rupert can be quite funny given the right material, and has a real gift for sarcasm and understatement. Very, very well played. Yet another random side note - I loved the scene where Hannay pulls a Cary Grant and runs from the plane trying to shoot him down in the field. That scene just defines another Hitchcock classic, North by Northwest, and anything that reminds me of that favorite is a good thing in my book. :)

Hannay's love interest in the film is Victoria Sinclair, a fiesty suffragette played by Lydia Leonard. Previously, Leonard has appeared in one episode of Foyle's War and played a Angela in one of my all-time favorite mystery shows, Jericho. It's my understanding that there is no love interest for Hannay in the book, and that one's always been created in the film versions. I absolutely loved Victoria's character, and watching her spar with Richard provided scene after scene of laugh-out-loud moments. Their relationship is a case of the battle of the sexes and opposites attracting at its finest. In Victoria it's great to see such a strong-willed, fearless character. RPJ and Leonard have some excellent on-screen chemistry, and I loved watching the relationship develop between their characters and they sought to outwit German spies (apparently given free reign in Scotland, haha).

There are several other notable cast members worth mentioning. First of all let's talk about Scudder, the spy who gets Hannay into this life-or-death mess. Scudder is played by Eddie Marsan, who's become quite fixture in films mentioned on this blog - he's appeared in Little Dorrit, Me and Orson Welles, and Sherlock Holmes, to name a few of his recent credits. There's something about his face and manner that allow him to play the desperate secret agent quite well. David Haig is another familiar face - he plays Sir George Sinclair, Victoria's uncle. Haig has appeared in everything from Marple to Two Weeks Notice. Patrick Kennedy plays Hellory, Victoria's brother - he also appeared in Me and Orson Welles, as well as Bleak House and Atonement. Kennedy is quite funny in his role - he's so spacey and vapid compared to his razor-sharp sister, the differences between them are hilarious.There's a couple more familiar faces, but I'll end by mentioning Alex Jennings' appearance. Jennings plays the elusive Captain Kell, the secret service contact Scudder wants Hannay to pass his encrypted notebook on to. Jennings was most recently seen in Cranford as Reverend Hutton.

Aside from the hilariously random, tacked on ending which I'll talk about in a minute, I really loved everything about this film. James Hawes directed this film, and combined with a solid script he keeps the pace of the film flying - there's nary a dull moment in the movie's short 85-minute run time. The way this film is structured and the story unfolds, I was hooked from the first scene. As a random point of interest, Hawes has apparently also directed several Doctor Who and Merlin episodes. He's got a good handle on making some of my favorite television programs, no? :) I also really liked Rob Lane's score (Lane has also scored Merlin). It's got an old-fashioned, adventure movie feel to it which fits perfectly with the storyline.

I love a good adventure/spy flick, and The 39 Steps fits the bill perfectly. But seriously, what is with the randomly tacked on happy ending?? (Possible spoilers...) So RPJ delivers this adorable speech about wooing Victoria, and then she's shot by the random German agent everyone seems to have forgotten about, falls into the lake, and magically survives to see Hannay off to war several months later?! NO ONE was around to pull her out so how the heck did that happen?! Getting shot and then having to pretend to drown is some national secret? And seriously, we're supposed to cling to the hope that Hannay somehow survives the trenches to reunite with Victoria after the war...hmmm...I hate that the cynic in me is surfacing here, but he's going off at the beginning of the conflict. Odds are not good for poor Hannay. *sob* I am a total and complete sucker for happy endings, but compared to the rest of the movie the way the Victoria thing is resolved was more than a little lame. But considering everything else this movie has going for it - Rupert Penry-Jones, fabulous settings, great costumes, a life-and-death car chase in Model-Ts, Rupert Penry-Jones, brisk direction, wonderful music, and did I mention Rupert Penry-Jones? :) - The 39 Steps is a thoroughly entertaining, unique entry in the Masterpiece Classic schedule. Highly recommended.

And just because, here's another picture of RPJ...go ahead and swoon, I'm right there with ya... ;-)