Pride and Prejudice, adapted from the novel by Jane Austen
By: Nancy Butler and Hugo Petrus
About the book:
Tailored from the adored Jane Austen classic, Marvel Comics is proud to present an adaptation of the whimsical tale of Lizzy Bennet and her loveable-if-eccentric family, as they navigate through tricky British social circles. Will Lizzy's father manage to marry off his five daughters, despite his wife's incessant nagging? And will Lizzy's beautiful sister Jane marry the handsome, wealthy Mr. Bingley? Or will his brooding friend Mr. Darcy stand between their happiness?
One of the most acclaimed novels in English literature has endured since its release in 1813 and is adapted as a graphic novel for the first time, collecting all five installments from two-time RITA award-winner Nancy Butler and fan-favorite Hugo Petrus.
So this is what happens when you're sick and off work for a week -- you pull out that graphic novel edition of Pride and Prejudice that you've been meaning to read for ages and finally dive in. Pride and Prejudice was the first Austen novel adapted for the Marvel Illustrated line -- comic-book versions of timeless literary classics. As with any adaptation of Austen's work, it is bound to face criticism for plot condension and the losss of pages upon pages of Austen's signature witty, insightful prose. But for a 120-page or so graphic novel, this volume does a creditable job of translating the essence of Lizzy and Darcy's story to the page.
Adapted by author Nancy Butler, the text does a surprisingly decent job of remaining faithful to its 19th-century origins. She keeps the action moving at a brisk pace, and while events are often shortened or tweaked to fit the graphic novel format, all of the plot's most famous scenes get their due. From Darcy's famous put-down at the Meryton assembly to his subsequent first (refused) proposal to Lizzy's first view of Pemberly, all key moments are brought to life with relative faithfulness to the original text.
I have mixed feelings abut illustrator Hugo Petrus's interpretation of Austen's classic tale. There are to be sure some gorgeously-rendered panels within these pages, and he has a nice eye for period detail. But the color palette is a bit darker than I'd prefer for Austen's brand of frothy social commentary. And many of the characters are blessed with such similar looks that it is difficult to tell them apart, particulary the bee-stung lipped younger Bennet sisters. However I enjoyed his realizations of Darcy, Mr. Bennet, Lady Catherine, and Lizzy in particular, though the latter suffers occasionally from some incredibly awkward facial expressions that detract from the emotin of key moments.
A pleasant way in which to while away an afternoon, this edition of Pride and Prejudice mostly hits all the right notes and could serve a a fresh way to introduce Austen to new readers.